GRADE 5 END-OF-YEAR
READING ASSESSMENT
Texas Essential Knowledge and
Skills (TEKS) Aligned
Webb’s Depth of Knowledge (DOK) Levels 1–4 •
Two-Part Evidence Questions
• Extended Response
|
Student Name: Teacher: |
Date: Campus / School: |
|
Sections |
Passages |
Total Questions |
Total Points |
Suggested Time |
|
4 |
5 |
40 |
70 |
100–130 min |
Webb’s Depth
of Knowledge (DOK) — Student Reference
|
Level |
Category |
What you’re
asked to do |
|
DOK 1 |
Recall
& Recognition |
Identify
facts, locate details, define vocabulary words in context, recognize story
elements. |
|
DOK 2 |
Skills
& Concepts |
Explain,
compare/contrast, summarize, identify author’s purpose, determine theme,
analyze cause/effect. |
|
DOK 3 |
Strategic
Thinking |
Analyze
author’s craft, evaluate evidence, synthesize across texts, draw and defend
conclusions with multiple pieces of evidence. |
|
DOK 4 |
Extended
Thinking |
Synthesize
ideas across multiple texts, evaluate an argument, connect reading to broader
concepts, form and defend original interpretations. |
GENERAL DIRECTIONS
• Read each passage carefully before answering
the questions.
• For multiple-choice questions, choose the
BEST answer. Read all choices before selecting.
• For two-part questions, answer BOTH parts.
Your answer to Part B must be directly supported by text evidence.
• For short answer and extended response
questions, write in complete sentences. Every claim must be supported by
specific evidence from the passage(s). Vague or general answers will not
receive full credit.
• You may look back at the passages as often as
needed.
• Grade 5 extended responses require you to
cite evidence, explain your reasoning, and address counterarguments or
alternative interpretations where relevant.
SECTION 1 — LITERARY TEXT
(Fiction & Poetry) | Questions 1–10 | 22
Points
Passage 1: "The
Astronomer’s Daughter" — Original historical fiction, c. 1610
|
1 The
night Galileo showed Elena his telescope, she understood immediately that the
world was larger than anyone had yet admitted. She was fourteen years old,
her father’s apprentice in all but name, and she had already learned to grind
the lenses herself — a skill her father had not intended to teach her and
which she had acquired by watching his hands so many times that her own
fingers knew the motion before her mind had given them permission. 2 "What
do you see?" Galileo asked. He asked everyone this. He was less
interested in the answer than in the quality of the silence before it. Elena
did not rush. She moved the instrument slowly, the way she’d been taught to
move things that mattered. Then she said: "The moon has mountains. And
the edge is not smooth — it is broken, like the hills above Pisa." 3 Her
father looked up from his notes. He had expected her to say it was beautiful.
Everyone said it was beautiful. Beauty was the refuge of those who did not
look carefully enough. 4 "Good,"
he said. Just the one word. But Elena, who had been reading her father since
before she could read letters, understood that this was the highest praise he
had ever given anyone. 5 She
stayed at the telescope for two more hours. She mapped the terminator line —
the boundary between the moon’s lit and dark faces — with a precision that
made her father, reviewing her sketches the next morning, go very quiet. He
was not a man who went quiet easily. 6 "You
understand what you’ve drawn," he said. It was not a question. "The
moon is a world," Elena said. "And if the moon is a world, then
possibly the other lights are worlds too." She paused. "And if they
are worlds, then we are not the center. We are just one of many." 7 Galileo
set down his pen. Outside the window, the stars continued their indifferent
turning. "Yes,"
he said at last. "That is exactly what I have been afraid to write
down." 8 Elena
thought about that — about the difference between knowing something and being
willing to say it. She thought about it for the rest of her life. |
Use “The
Astronomer’s Daughter” to answer Questions 1–7.
|
Q1 |
TEKS 5.7(A) — Plot, Setting &
Character |
Multiple Choice |
DOK 1 |
1pt |
What is the
SETTING of this story?
A. A
modern university observatory in Italy.
B. Galileo’s
workshop in the early 1600s, at night.
C. A
library where Elena is studying astronomy books.
D. A
hilltop above Pisa where Elena watches the moon alone.
|
Q2 |
TEKS 5.7(C) — Character Motivation
& Development |
Two-Part (Evidence) |
DOK 2 |
2pts |
Part A: What does Galileo’s single-word response “Good” reveal
about his character?
A. He is
disappointed that Elena did not find the moon beautiful.
B. He is
a man of few words who expresses the highest praise through restraint.
C. He
does not believe Elena has truly understood what she saw.
D. He is
distracted by his notes and barely hears her answer.
Part B: Which sentence from the story BEST supports your answer
to Part A?
A. "He
was less interested in the answer than in the quality of the silence before
it."
B. "Beauty
was the refuge of those who did not look carefully enough."
C. "Elena,
who had been reading her father since before she could read letters, understood
that this was the highest praise he had ever given anyone."
D. "He
was not a man who went quiet easily."
|
Q3 |
TEKS 5.8(B) — Theme |
Multiple Choice |
DOK 2 |
1pt |
Which
statement BEST expresses a theme of “The Astronomer’s Daughter”?
A. Telescopes
changed the world more than any other scientific tool.
B. Careful
observation and the courage to speak truth are both essential to knowledge.
C. Daughters
are always smarter than their fathers in scientific matters.
D. Fame
and recognition are the rewards of scientific discovery.
|
Q4 |
TEKS 5.4(E) — Figurative Language &
Author’s Craft |
Two-Part (Evidence) |
DOK 2 |
2pts |
Part A: In paragraph 7, the author writes: “the stars continued
their indifferent turning.” What does the word “indifferent” suggest about the
stars in this context?
A. The
stars are moving slowly because they are far away.
B. The
stars do not care about the momentous conversation happening below them.
C. The
stars are difficult to see because of the light from the telescope.
D. The
stars represent Galileo’s lack of emotion when he gives Elena praise.
Part B: Why does the author include this image at this particular
moment in the story?
A. To
show that telescopes were not yet powerful enough to see the stars clearly.
B. To
contrast the universe’s vast indifference with the enormous human significance
of what Elena has just said.
C. To
suggest that Galileo is about to give up his scientific work.
D. To
show that Elena is more interested in the stars than in the moon.
|
Q5 |
TEKS 5.4(C) — Vocabulary in Context |
Multiple Choice |
DOK 1 |
1pt |
In paragraph
5, Elena maps the “terminator line.” Based on context, what is the terminator
line?
A. The
outer edge of the moon’s visible surface as seen from Earth.
B. The
boundary between the lit and dark portions of the moon.
C. A
mathematical formula used to calculate the moon’s distance.
D. A line
of craters across the moon’s surface.
|
Q6 |
TEKS 5.8(B) / 5.7(C) — Theme &
Character Analysis |
Short Answer |
DOK 3 |
3pts |
The story ends
with Elena thinking “about the difference between knowing something and being
willing to say it.” Explain what this distinction means, and analyze how BOTH
Elena and Galileo demonstrate this difference within the story. Use at least
TWO specific details from the passage to support your analysis.
Passage 2: "What
the Light Remembers" — A poem
|
What
the Light Remembers The
light that falls on your hand right now left
the sun eight minutes ago. You
are always living in the past, reading
a letter that’s already been sent. The
light from the nearest star beyond our sun is
four years old when it touches your face. You
are someone’s ancient message, received
at last. The
astronomers say: look up. Every
point of light is a different age of the universe, a
chorus singing at different speeds, each
voice arriving late, each
voice still true. What
you see is real. What
you see is gone. Hold
both. |
Use “What the
Light Remembers” to answer Questions 7–10.
|
Q7 |
TEKS 5.5(A) — Poetry: Central Idea |
Multiple Choice |
DOK 1 |
1pt |
What is the
central idea of this poem?
A. Astronomers
are wrong about how long starlight takes to reach Earth.
B. When
we observe light from stars, we are seeing the past, not the present.
C. The
sun is too far away for its light to reach Earth in a short time.
D. Science
cannot explain what we see when we look at the night sky.
|
Q8 |
TEKS 5.4(E) / 5.5(B) — Figurative
Language in Poetry |
Two-Part (Evidence) |
DOK 2 |
2pts |
Part A: In stanza 1, the poet compares the light reaching your
hand to “a letter that’s already been sent.” What does this comparison suggest
about the nature of starlight?
A. Starlight
is like a written message — it carries information but was composed in the
past.
B. Starlight
travels in straight lines, like a letter being delivered.
C. The
sun writes messages in light that scientists are learning to decode.
D. Receiving
light from the sun is exactly like receiving mail.
Part B: In stanza 3, the poet describes the night sky as “a
chorus singing at different speeds.” What type of figurative language is this,
and what does it convey?
A. Simile
— it suggests the stars are alike in their brightness.
B. Personification
— it gives the stars human qualities and suggests each point of light has its
own age and voice.
C. Hyperbole
— it exaggerates how many stars there are in the sky.
D. Alliteration
— the repeated sounds create a musical effect.
|
Q9 |
TEKS 5.9(F) — Cross-Text Synthesis |
Two-Part (Evidence) |
DOK 3 |
2pts |
Part A: Both “The Astronomer’s Daughter” and “What the Light
Remembers” deal with seeing beyond what is immediately obvious. How do the TWO
texts differ in how they present this idea?
A. The
story uses scientific facts, while the poem relies entirely on emotion.
B. The
story presents discovery as a personal, human act; the poem presents it as a
cosmic, universal condition.
C. The
story is about the moon, while the poem is about a completely different topic.
D. The
story shows that observation leads to fear, while the poem shows it leads to
joy.
Part B: The poem ends with the instruction: “Hold both.” Which
idea from “The Astronomer’s Daughter” BEST connects to this instruction?
A. Elena
maps the terminator line with great precision.
B. Elena
thinks about the difference between knowing something and being willing to say
it.
C. Galileo
asks everyone what they see through the telescope.
D. Elena
learned to grind lenses by watching her father’s hands.
|
Q10 |
TEKS 5.9(F) / 5.8(B) — Cross-Text
Extended Synthesis |
Extended Response |
DOK 4 |
5pts |
Both “The
Astronomer’s Daughter” and “What the Light Remembers” explore the idea that
seeing is not simple — that what we observe involves both truth and complexity,
both knowledge and uncertainty. Write a
response in which you: (1) identify the central idea each text communicates
about observation and knowledge; (2) explain how the author’s choices — in
craft, structure, or language — develop that idea; and (3) explain whether the
two texts ultimately agree or disagree about what it means to truly understand
what we see. Support your response with specific evidence from BOTH texts.
SECTION 2 — INFORMATIONAL
TEXT (Nonfiction) | Questions 11–21 | 18
Points
Passage 3: "The
Language Nobody Owns" — Nonfiction essay on the history of English
|
The
Language Nobody Owns 1 English
is the most widely spoken language in the world, used as either a first or
second language by more than 1.5 billion people. It is the dominant language
of science, aviation, diplomacy, and the internet. And yet, despite its
global dominance, English is arguably the most borrowed, mixed, and
grammatically inconsistent major language on Earth. Its chaotic spelling, its
borrowed vocabulary from dozens of other languages, and its baffling
irregular verbs are not accidents. They are the fingerprints of a language
that has been conquered, traded, and remade more times than almost any other. 2 Old
English, spoken in Britain from roughly 450 to 1100 CE, was a Germanic
language brought by the Angles, Saxons, and Jutes who migrated from what is
now northern Germany and Denmark. It was highly inflected — meaning that word
endings changed to indicate grammatical function, the way Latin does. A
modern English speaker would find it nearly incomprehensible. The opening
lines of the epic poem Beowulf, written in Old English, read like a foreign
language to contemporary eyes. 3 In
1066, the Norman Conquest changed English forever. When William the Conqueror
defeated the Anglo-Saxon king Harold at the Battle of Hastings, French became
the language of the English court, the law, and the ruling class. For the
next three hundred years, England was effectively bilingual: French on top,
English below. The result was a massive influx of French vocabulary into
English. English already had “cow,” “pig,” and “sheep” from its Germanic
roots. French added “beef,” “pork,” and “mutton.” The animal in the field
kept its Anglo-Saxon name. The animal on the nobleman’s plate got a French
one. 4 Latin
and Greek entered English through two major channels: the Catholic Church,
which used Latin as its official language from the early medieval period
onward, and the Renaissance, which saw a revival of classical learning. Words
like “document,” “library,” and “scholar” come from Latin; “philosophy,”
“drama,” and “atom” come from Greek. The expansion of English vocabulary
during the Renaissance was so dramatic that scholars coined a term for the
new Latin and Greek-derived words flooding the language: “inkhorn terms,” a
mocking phrase suggesting they were too scholarly to be of practical use. 5 The
spread of the British Empire in the seventeenth through twentieth centuries
carried English to every continent and brought back words from hundreds of
other languages. From Hindi: “shampoo,” “jungle,” “bungalow.” From Nahuatl
(the language of the Aztecs): “chocolate,” “tomato,” “avocado.” From Arabic:
“algebra,” “algorithm,” “coffee.” English absorbed these words because its
speakers encountered new things they had no words for, and borrowed rather
than invented. 6 Today,
English continues to evolve at a rapid pace. Linguists estimate that a new
English word is coined approximately every two hours. Social media,
technology, and global youth culture are the primary engines of new
vocabulary. The word “selfie” was added to the Oxford English Dictionary in
2013; “gigabyte” in 1984; “sandwich” in 1755. Every new word is a small
record of what its era needed to say. 7 Critics
sometimes argue that English is being “contaminated” by foreign words, slang,
or internet language, and that its purity should be protected. Linguists find
this argument difficult to take seriously. English has never been pure. Its
entire history is a story of contact, borrowing, and transformation. The
language does not belong to one country, one culture, or one moment in time.
It belongs to everyone who speaks it — and to everyone who will speak it in
ways we cannot yet imagine. |
Use “The
Language Nobody Owns” to answer Questions 11–18.
|
Q11 |
TEKS 5.11(A) — Main Idea &
Supporting Details |
Multiple Choice |
DOK 1 |
1pt |
What is the
MAIN idea of this article?
A. English
is the most grammatically complex language in the world.
B. The
Norman Conquest of 1066 was the most important event in the history of English.
C. English
is a constantly evolving language shaped by centuries of cultural contact and
borrowing.
D. The
Oxford English Dictionary adds too many new words each year.
|
Q12 |
TEKS 5.11(C) — Cause & Effect /
Text Structure |
Two-Part (Evidence) |
DOK 2 |
2pts |
Part A: According to the article, why does English have two sets
of words for many animals — one for the live animal and one for the meat?
A. Different
regions of Britain used different dialects to refer to farm animals.
B. After
the Norman Conquest, the ruling French-speaking class used French words for
food while English-speaking peasants kept Germanic names for the animals.
C. The
Catholic Church required Latin words for all food served at religious feasts.
D. English
borrowed the meat words from Arabic traders in the medieval period.
Part B: Which paragraph BEST explains this phenomenon?
A. Paragraph
2
B. Paragraph
3
C. Paragraph
4
D. Paragraph
5
|
Q13 |
TEKS 5.4(C) — Vocabulary in Context |
Multiple Choice |
DOK 1 |
1pt |
In paragraph
2, the article says Old English was “highly inflected.” Based on the context
clue in the same sentence, what does “inflected” most likely mean?
A. A
language that uses symbols instead of letters.
B. A
language in which word endings change to show grammatical function.
C. A
language that is spoken very quickly by native speakers.
D. A
language that borrows heavily from neighboring languages.
|
Q14 |
TEKS 5.11(D) — Author’s Purpose &
Perspective |
Two-Part (Evidence) |
DOK 2 |
2pts |
Part A: Why does the author include the examples “selfie,”
“gigabyte,” and “sandwich” in paragraph 6?
A. To
prove that new English words come mainly from technology.
B. To
show that word invention spans centuries and reflects the needs of each era.
C. To
argue that the Oxford English Dictionary adds words too slowly.
D. To
show that social media has had a negative effect on the English language.
Part B: Which statement BEST describes the author’s overall
perspective on language change?
A. Language
change is dangerous and should be monitored by experts.
B. Language
change is natural, inevitable, and reflects the history of human contact.
C. English
is superior to other languages because it borrows so freely.
D. The
internet is ruining the English language by adding too many slang words.
|
Q15 |
TEKS 5.11(B) — Summarizing |
Multiple Choice |
DOK 2 |
1pt |
Which sentence
BEST summarizes paragraph 7?
A. Critics
are right to worry that English is becoming too mixed with foreign words.
B. Linguists
and critics disagree about whether language change is harmful, but the history
of English shows it has always evolved through contact.
C. The
Oxford English Dictionary is the only institution that can protect the English
language from contamination.
D. English
will eventually replace all other world languages because of its adaptability.
|
Q16 |
TEKS 5.11(A) — Key Details |
Multiple Choice |
DOK 1 |
1pt |
According to
the article, which language contributed the words “chocolate,” “tomato,” and
“avocado” to English?
A. Arabic
B. Hindi
C. French
D. Nahuatl
|
Q17 |
TEKS 5.11(D) / 5.9(D) — Author’s Craft |
Short Answer |
DOK 3 |
4pts |
The author
describes the “fingerprints” of a language that has been “conquered, traded,
and remade” (paragraph 1) and ends by saying English “belongs to everyone who
speaks it” (paragraph 7). Analyze how this opening and closing work together to
develop the author’s central argument. What effect does the contrast between
“conquered” and “belongs to everyone” create? Use evidence from at least TWO
different paragraphs in your response.
SECTION 3 — PAIRED
PASSAGES | Questions 22–31 | 15
Points
Passage 4A: "Should
Students Grade Their Own Work?" — Informational / argumentative article
|
Should
Students Grade Their Own Work? 1 In
a growing number of schools across the United States, students are being
asked to evaluate and grade their own assignments — a practice called
self-assessment. Advocates argue that self-assessment teaches students to
think critically about quality, builds metacognitive skills (the ability to
think about one’s own thinking), and prepares students for a world in which
they will often have to evaluate their own work without external feedback.
Critics counter that self-grading is unreliable, open to bias, and undermines
the meaning of grades altogether. 2 The
research on self-assessment is more nuanced than either side often admits. A
2018 meta-analysis — a study that combines the results of many smaller
studies — published in the journal Educational Psychology Review found that
self-assessment improved student achievement in 77 percent of the studies
reviewed, particularly when students were given explicit criteria against
which to evaluate their work. In other words, self-assessment works best when
it is structured, not open-ended. 3 Critics
point out that students tend to overrate their own performance, particularly
students who are already struggling. However, the same meta-analysis found
that with training, students become significantly more accurate in their
self-evaluations over time. The problem may not be self-assessment itself,
but the failure to teach it properly. 4 One
of the most consistent findings in education research is that students learn
more when they understand what quality looks like. Rubrics, exemplars, and
explicit discussion of standards all help students develop an internal sense
of quality that they can apply to their own work. Self-assessment is simply
the application of that internal sense to one’s own performance. 5 The
question is not whether self-assessment can work, but whether schools
implement it thoughtfully. Used well, it is a powerful tool. Used poorly, it
is simply an opportunity for students to give themselves unearned As. The
responsibility, as with most educational practices, lies with the teacher. |
Passage 4B: "In
Defense of the Red Pen" — Opinion essay
|
In
Defense of the Red Pen 1 When
my eighth-grade English teacher returned my first essay with more red ink
than black, I was devastated. I was also, I eventually understood, very
lucky. Every red mark was a lesson. Every correction was a standard I had not
yet met. The experience of receiving honest, external feedback — from someone
whose judgment was trained, experienced, and unbiased by affection for me —
was irreplaceable. 2 The
current enthusiasm for self-grading in schools makes me uneasy. I understand
the theory: students who evaluate their own work develop metacognitive
skills, become more independent, and learn to apply quality standards rather
than just receive grades. These are genuine benefits, and I don’t dismiss
them. 3 But
there is something the theory misses. The value of external feedback is not
just the information it contains — it is the credibility of its source. A
student grading their own essay is in a fundamentally different position than
a trained reader. They know what they were trying to say. They see the
intention, not the effect. An outside reader sees only the words on the page.
That gap — between what a writer intends and what a reader receives — is
precisely what good feedback is designed to illuminate. 4 There
is also a deeper concern. Grades are a form of communication between student,
teacher, family, and institution. When students grade themselves, that
communication is compromised. A transcript that reflects self-assessed grades
does not convey the same information as one that reflects independent
evaluation. Colleges, employers, and other institutions rely on the
credibility of external assessment. Self-assessment cannot replicate that
credibility. 5 I
am not arguing against reflection, goal-setting, or the development of
metacognitive skills — all of which are valuable and should be part of any
education. I am arguing that these goals can be achieved without replacing
external feedback with self-assessment. The red pen is not the enemy of
student growth. It is one of its most reliable instruments. |
Use both
Passage 4A and Passage 4B to answer Questions 22–28.
|
Q22 |
TEKS 5.11(C) / 5.9(F) — Cross-Text:
Claims |
Multiple Choice |
DOK 2 |
1pt |
Which
statement BEST describes the central claim of Passage 4B?
A. Self-assessment
should be banned from all schools because it is inaccurate.
B. External
feedback from trained readers provides something self-assessment cannot
replicate.
C. Red
pens are the best tool for providing feedback on student writing.
D. Students
learn nothing from self-grading and should not be asked to do it.
|
Q23 |
TEKS 5.11(C) / 5.9(F) — Comparing
Evidence |
Two-Part (Evidence) |
DOK 2 |
2pts |
Part A: Both passages acknowledge that self-assessment has
genuine benefits. Which benefit do BOTH authors agree on?
A. Self-assessment
improves student test scores on standardized assessments.
B. Self-assessment
builds metacognitive skills and helps students think about quality.
C. Self-assessment
works best when students are grading science assignments.
D. Self-assessment
is more accurate than teacher grading in most cases.
Part B: Despite agreeing on this benefit, on what point do the
two authors MOST FUNDAMENTALLY disagree?
A. Whether
students enjoy evaluating their own work.
B. Whether
self-assessment can or should replace external feedback.
C. Whether
research on education is reliable or useful.
D. Whether
teachers should use rubrics when grading student work.
|
Q24 |
TEKS 5.11(D) — Author’s Craft: Evidence
Types |
Multiple Choice |
DOK 2 |
1pt |
How does the
author of Passage 4A MAINLY support the argument that self-assessment can
improve achievement?
A. By
sharing a personal story about grading their own work in school.
B. By
citing a peer-reviewed meta-analysis and explaining what it found.
C. By
listing the names of schools that have adopted self-assessment policies.
D. By
arguing that teachers are too busy to grade all student work themselves.
|
Q25 |
TEKS 5.11(D) — Author’s Craft: Evidence
Types |
Multiple Choice |
DOK 2 |
1pt |
How does the
author of Passage 4B MAINLY support the argument that external feedback is
irreplaceable?
A. By
citing research studies showing self-assessment is less accurate than teacher
grading.
B. By
using personal narrative and logical reasoning about the gap between intent and
effect.
C. By
listing examples of schools that have abandoned self-assessment programs.
D. By
presenting data showing that self-assessed grades inflate student transcripts.
|
Q26 |
TEKS 5.9(F) / 5.11(C) — Cross-Text
Evaluation |
Short Answer |
DOK 3 |
4pts |
Passage 4A
uses a research study as its primary evidence. Passage 4B uses personal
experience and logical reasoning. Which type of evidence do you find MORE
convincing for this particular argument, and why? In your answer, refer
specifically to HOW each author uses their evidence and explain what each type
of evidence can and cannot prove. Use details from BOTH passages.
SECTION 4 — VOCABULARY,
LANGUAGE & GRAMMAR | Questions 32–40 | 15
Points
Directions:
Answer the questions below about vocabulary, figurative language, grammar, and
author’s craft. You may refer to all passages.
|
Q27 |
TEKS 5.4(B) — Word Parts &
Etymology |
Multiple Choice |
DOK 1 |
1pt |
The word
“metacognitive” appears in Passage 4A (paragraph 1) and Passage 4B (paragraph
2). The prefix “meta-” means “about” or “beyond,” and “cognitive” relates to
thinking or mental processes. What does “metacognitive” mean?
A. Thinking
about a topic in great depth and detail.
B. Thinking
about one’s own thought processes — awareness of how you think.
C. Using
memory tricks to help remember new information.
D. Applying
scientific methods to the study of the human brain.
|
Q28 |
TEKS 5.4(E) — Figurative Language &
Connotation |
Two-Part (Evidence) |
DOK 2 |
2pts |
Part A: In Passage 3 (paragraph 1), the author calls the mixed,
borrowed features of English the language’s “fingerprints.” What does this
metaphor suggest?
A. Every
language has a unique, traceable identity formed by its history.
B. English
is a criminal language that stole from other languages.
C. Fingerprints
are used to track criminals, just as linguists track language change.
D. The
borrowed words in English are too small to see without scientific tools.
Part B: What is the CONNOTATION of the word “fingerprints” as
used here?
A. Negative
— fingerprints suggest something has been handled carelessly.
B. Neutral
— fingerprints simply identify without judgment.
C. Positive
— fingerprints suggest each contact has left a meaningful, traceable mark.
D. Negative
— fingerprints are associated with crime and contamination.
|
Q29 |
TEKS 5.12(A) — Grammar: Clauses &
Phrases |
Multiple Choice |
DOK 1 |
1pt |
Read this
sentence from Passage 4A: “A 2018 meta-analysis, published in the journal
Educational Psychology Review, found that self-assessment improved student
achievement in 77 percent of the studies reviewed.” What is the grammatical function of the
phrase “published in the journal Educational Psychology Review”?
A. It is
the main clause of the sentence, stating the main action.
B. It is
a participial phrase that modifies “meta-analysis.”
C. It is
an adverb phrase that explains when the study occurred.
D. It is
a prepositional phrase that shows location.
|
Q30 |
TEKS 5.9(D) — Author’s Tone & Word
Choice |
Multiple Choice |
DOK 2 |
1pt |
The author of
Passage 4B writes: “I was devastated. I was also, I eventually understood, very
lucky.” What is the tone of this sentence, and what does it suggest about the
author’s attitude toward the experience?
A. Bitter
and resentful — the author is still angry at the teacher.
B. Reflective
and grateful — the author now sees value in what was painful at the time.
C. Sarcastic
and dismissive — the author is mocking the teacher’s feedback methods.
D. Confused
and uncertain — the author is still unsure whether the feedback helped.
|
Q31 |
TEKS 5.12(B) — Grammar: Punctuation
& Syntax |
Multiple Choice |
DOK 1 |
1pt |
Read this
sentence from Passage 3: “English already had ‘cow,’ ‘pig,’ and ‘sheep’ from
its Germanic roots. French added ‘beef,’ ‘pork,’ and ‘mutton.’” Why does the author put the animal and meat
words in quotation marks?
A. To
show they are misspelled versions of the correct words.
B. To
indicate these are words being discussed as words, not used in their normal
meaning.
C. To
show they are direct quotes from an earlier publication.
D. To
signal that these words are no longer used in modern English.
|
Q32 |
TEKS 5.4(E) / 5.9(D) / 5.11(D) —
Author’s Craft: Extended Analysis |
Extended Response |
DOK 3 |
5pts |
Choose ONE of
the following sentences and write an extended analysis: Option A (Passage 3): “Every new word is a
small record of what its era needed to say.”
Option B (Passage 4B): “The red pen is not the enemy of student growth.
It is one of its most reliable instruments.”
In your response: (1) explain in your own words what the sentence means;
(2) identify any figurative language or rhetorical technique used; (3) explain
WHY the author chose this particular language to end their argument; and (4)
evaluate how effectively this ending supports the author’s overall purpose. Use
specific evidence from the passage to support your evaluation.
SCORE SUMMARY
|
Section |
Questions |
Points Possible |
Points Earned |
|
Section 1: Literary Text |
1–10 |
22 |
|
|
Section 2: Informational Text |
11–21 |
18 |
|
|
Section 3: Paired Passages |
22–31 |
15 |
|
|
Section 4: Vocabulary & Language |
32–40 |
15 |
|
|
TOTAL |
40 Questions |
70 Points |
|
Performance
Bands
|
Score Range |
Performance
Level |
|
63–70
pts (90–100%) |
Advanced —
Exceeds Grade 5 Reading Expectations |
|
56–62
pts (80–89%) |
Proficient —
Meets Grade 5 Reading Expectations |
|
42–55
pts (60–79%) |
Developing —
Approaching Grade 5 Reading Expectations |
|
Below 42
pts (Below 60%) |
Beginning —
Below Grade 5 Reading Expectations |
GRADE 5 END-OF-YEAR READING ASSESSMENT
OFFICIAL ANSWER KEY & SCORING RUBRIC
FOR TEACHER / ADMINISTRATOR USE ONLY
Quick Reference Answer Key —
Multiple Choice & Two-Part
|
Q# |
Correct Answer |
Standard |
DOK |
Rationale / Key Point |
|
Q1 |
B |
5.7(A) |
DOK 1 |
Setting is
Galileo’s workshop at night in the early 1600s. |
|
Q2A |
B |
5.7(C) |
DOK 2 |
One word of
praise = maximum praise from a restrained man. |
|
Q2B |
C |
5.7(C) |
DOK 2 |
'Highest
praise he had ever given anyone' supports restraint as praise. |
|
Q3 |
B |
5.8(B) |
DOK 2 |
Observation +
courage to speak truth = the theme of Elena and Galileo. |
|
Q4A |
B |
5.4(E) |
DOK 2 |
'Indifferent'
= stars are unmoved by the enormity of human discovery. |
|
Q4B |
B |
5.4(E) |
DOK 3 |
Contrast:
human moment of revelation vs. universe’s cosmic scale. |
|
Q5 |
B |
5.4(C) |
DOK 1 |
Context clue
in same sentence: 'boundary between lit and dark faces.' |
|
Q7 |
B |
5.5(A) |
DOK 1 |
Central idea =
light we see is old; we observe the past. |
|
Q8A |
A |
5.4(E) |
DOK 2 |
Letter =
message from the past carrying information. |
|
Q8B |
B |
5.5(B) |
DOK 2 |
Stars 'sing' =
personification; each has its own age/voice. |
|
Q9A |
B |
5.9(F) |
DOK 3 |
Story =
personal human discovery; poem = universal cosmic condition. |
|
Q9B |
B |
5.9(F) |
DOK 3 |
'Hold both' =
knowing + uncertainty; Elena holds knowing + risk. |
|
Q11 |
C |
5.11(A) |
DOK 1 |
Main idea =
evolving language shaped by centuries of contact. |
|
Q12A |
B |
5.11(C) |
DOK 2 |
Norman
Conquest: French ruling class = French food words; peasants kept animal
words. |
|
Q12B |
B |
5.11(C) |
DOK 2 |
Paragraph 3
explains the animal/meat word split directly. |
|
Q13 |
B |
5.4(C) |
DOK 1 |
Context clue:
'word endings changed to indicate grammatical function.' |
|
Q14A |
B |
5.11(D) |
DOK 2 |
Three words
from different centuries = change spans eras and needs. |
|
Q14B |
B |
5.11(D) |
DOK 2 |
Para 7:
language change is natural, inevitable, historical. |
|
Q15 |
B |
5.11(B) |
DOK 2 |
Both sides
presented; history shows English always evolved. |
|
Q16 |
D |
5.11(A) |
DOK 1 |
Para 5
explicitly names Nahuatl as the source of all three words. |
|
Q22 |
B |
5.9(F) |
DOK 2 |
4B’s claim:
external feedback from trained readers is irreplaceable. |
|
Q23A |
B |
5.9(F) |
DOK 2 |
Both passages
acknowledge metacognitive benefit explicitly. |
|
Q23B |
B |
5.9(F) |
DOK 2 |
Fundamental
disagreement: can self-assessment replace external feedback? |
|
Q24 |
B |
5.11(D) |
DOK 2 |
4A cites 2018
meta-analysis: research is primary evidence type. |
|
Q25 |
B |
5.11(D) |
DOK 2 |
4B uses
personal narrative + logic about intent vs. effect gap. |
|
Q27 |
B |
5.4(B) |
DOK 1 |
Meta- = about
+ cognitive = thinking; thinking about one’s own thinking. |
|
Q28A |
A |
5.4(E) |
DOK 2 |
Fingerprints =
unique traceable marks left by historical contact. |
|
Q28B |
C |
5.4(E) |
DOK 2 |
Connotation
here is positive: meaningful, identity-forming marks. |
|
Q29 |
B |
5.12(A) |
DOK 1 |
Participial
phrase modifying 'meta-analysis' — not main clause. |
|
Q30 |
B |
5.9(D) |
DOK 2 |
Devastated
then lucky = reflection + gratitude; painful but valuable. |
|
Q31 |
B |
5.12(B) |
DOK 1 |
Use-mention
distinction: words are mentioned (discussed), not used. |
SECTION 1 — LITERARY TEXT: Short Answer &
Extended Response Rubrics
Question 6 —
Short Answer / Extended Response (3 points)
[3 pts] Full credit (3 pts):
Student explains that 'knowing' is the internal act of understanding, while
'being willing to say it' requires courage to face consequences. Elena
demonstrates both — she understands immediately that Earth is not the center,
and she says it clearly. Galileo demonstrates the gap: he has known for some
time but has 'been afraid to write it down' (para 7). Student cites at least
TWO specific details (e.g., Elena's statement in para 6; Galileo’s 'afraid to
write down' in para 7; the final line about thinking about this distinction
'for the rest of her life'). Complete sentences throughout.
[2 pts] Partial (2 pts):
Student identifies the distinction clearly and addresses both characters but
cites evidence from only one, OR cites two pieces of evidence but does not
fully connect to both Elena and Galileo.
[1 pt] Minimal (1 pt): Student
identifies that Elena and Galileo are different without explaining the
knowing/saying distinction or citing evidence.
[0 pts] Off-topic or blank.
Question 10 —
Short Answer / Extended Response (5 points)
[5 pts] Full credit (5 pts):
Strong response addresses all three required elements: (1) The story presents
discovery as a personal act of courage requiring both observation AND the will
to articulate truth; the poem presents observation as a universal condition —
everyone who sees light from the sky is automatically 'living in the past.' (2)
Story uses dialogue and characterization to develop these ideas; poem uses
figurative language (simile, personification, contrast) to develop the cosmic
theme. (3) The texts ultimately agree: both suggest that seeing requires
'holding both' the real and the complex — what you see is true, and what you
see is incomplete. Student uses at least three specific pieces of evidence
across both texts. Sophisticated sentence structures.
[4 pts] Strong partial (4 pts):
Addresses all three elements but one is underdeveloped, or evidence is strong
but interpretation in element 3 is surface-level.
[3 pts] Partial (3 pts):
Addresses two of the three required elements clearly with specific evidence
from both texts.
[2 pts] Developing (2 pts):
Addresses one element well with evidence from one text, OR uses both texts but
without specific evidence or analysis.
[1 pt] Minimal (1 pt):
Identifies a similarity or difference between texts without evidence or
analysis of craft.
[0 pts] Off-topic or blank.
SECTION 2 — INFORMATIONAL TEXT: Short Answer
Rubric
Question 17 —
Short Answer / Extended Response (4 points)
[4 pts] Full credit (4 pts):
Student identifies that 'conquered' suggests something taken by force
(negative), while 'belongs to everyone' suggests shared ownership (positive).
The contrast argues that English’s history of forced borrowing ultimately
produced a democratic, globally shared language. Student cites evidence from at
least two paragraphs: opening paragraph framing ('fingerprints of a language
conquered, traded, remade') and closing paragraph ('belongs to everyone who
speaks it — and to everyone who will speak it in ways we cannot yet imagine').
Strong responses may also reference para 3 (Norman Conquest) or para 5
(colonial borrowing) to show how specific historical conquests produced
specific borrowings that became shared vocabulary. Full analysis of how
opening/closing work together.
[3 pts] Partial (3 pts):
Identifies the contrast and its argumentative effect with evidence from two
paragraphs, but the analysis of how opening and closing 'work together' is
underdeveloped.
[2 pts] Partial (2 pts):
Identifies what the opening or the closing does but does not analyze how they
work together as a rhetorical strategy.
[1 pt] Minimal (1 pt):
Summarizes the article without analyzing the specific sentences or their
relationship.
[0 pts] Off-topic or blank.
SECTION 3 — PAIRED PASSAGES: Short Answer
Rubric
Question 26 —
Short Answer / Extended Response (4 points)
[4 pts] Full credit (4 pts):
Student takes a clear position and defends it with reasoning that addresses
both evidence types. Strong response notes: research evidence (4A) can
demonstrate patterns across many cases (77% of studies) but cannot capture what
individual feedback feels like or explain the intent/effect gap. Personal
evidence (4B) can illustrate a specific, vivid principle (the gap between what
a writer intends and what a reader receives) but cannot prove this is
universal. Student evaluates the limitation of each type and explains why one
is more or less convincing FOR THIS SPECIFIC ARGUMENT. Cites specific evidence
from both passages.
[3 pts] Partial (3 pts):
Student takes a clear position and evaluates both evidence types with some
analysis of limitations, but one evaluation is underdeveloped or lacks specific
evidence.
[2 pts] Partial (2 pts):
Student prefers one type of evidence and explains why, but does not evaluate
the limitations of the other, OR evaluates both but without specific evidence
from the passages.
[1 pt] Minimal (1 pt): 'I like
research more because it’s facts' without analysis or evidence.
[0 pts] Off-topic or blank.
SECTION 4 — VOCABULARY & CRAFT: Extended
Response Rubric
Question 32 —
Short Answer / Extended Response (5 points)
[5 pts] Full credit (5 pts):
Student chooses one sentence and addresses all four elements. Option A: (1)
meaning = each new word captures what its historical moment required to
express; (2) technique = metaphor ('record'); (3) chosen because it transforms
the dry list of words (selfie, gigabyte, sandwich) into a statement about
historical necessity — words aren’t random, they’re evidence; (4) evaluation =
effective because it gives the reader a framework for understanding ALL word
creation, not just these examples. Option B: (1) meaning = external feedback is
not punishment but a tool for growth; (2) technique = extended metaphor (red
pen = instrument), antithesis ('not the enemy... one of its most reliable
instruments'); (3) chosen because it reframes the entire essay’s opening image
(red ink = devastation) into a positive; (4) evaluation = effective because it
completes the personal narrative arc and makes the logical argument emotionally
satisfying. Student uses specific evidence from the passage in complete
sentences throughout.
[4 pts] Strong partial (4 pts):
Addresses all four elements, but the evaluation (element 4) is surface-level
('it works because it summarizes the essay') rather than analytical.
[3 pts] Partial (3 pts):
Addresses three of the four elements with specific evidence.
[2 pts] Developing (2 pts):
Explains meaning and identifies figurative language, but does not explain why
the author chose the language or evaluate its effectiveness.
[1 pt] Minimal (1 pt):
Paraphrases the sentence without analysis.
[0 pts] Off-topic or blank.
Texas TEKS-Aligned Grade 5 End-of-Year
Reading Assessment • Hess’s Cognitive Rigor / Webb’s DOK • The
Digital Trivium
Total: 40 Questions • 70
Points •
Sections 1–4 • 5 Passages
• DOK Levels 1–4
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