How to use this guide. This curriculum is organized into seven developmental stages. Within each stage you will find the Science of Reading (SOR) components addressed, the corresponding Orton Gillingham (OG) lesson sequences, and Montessori hands-on materials and three-period lessons. Every skill domain — phonological awareness, phonics, fluency, vocabulary, comprehension, discourse, rhetoric, and argumentative writing — is woven throughout all stages, increasing in sophistication as the child grows.
Print this guide, place it in a binder, and work through each stage at your child's pace. Mastery, not age, advances the learner.
Table of Contents
- The Research Foundations
- Stage 1 · Ages 3–4 · Pre-K
- Stage 2 · Age 4–5 · Kindergarten
- Stage 3 · Ages 5–6 · Grade 1
- Stage 4 · Ages 6–7 · Grade 2
- Stage 5 · Ages 7–9 · Grades 3–4
- Stage 6 · Ages 9–11 · Grade 5
- Stage 7 · Ages 11–13 · Grade 6
- Montessori Grammar Symbols Reference
- Orton Gillingham Full Phonogram Sequence
- Rhetoric, Argument & Dialectic Scope & Sequence
- Recommended Materials & Resources
- Research References
The Research Foundations
The Simple View of Reading
Reading comprehension is the product of two independent but interacting skills: decoding (the ability to translate print to sound) and language comprehension (the ability to understand oral language). This formula, established by Gough and Tunmer (1986), drives the entire architecture of this curriculum. A child who decodes fluently but cannot comprehend what is decoded has a language deficit. A child who comprehends brilliantly but cannot decode has a phonics deficit. Parents must address both dimensions simultaneously from the earliest ages.
The Reading Rope (Scarborough, 2001)
Hollis Scarborough's rope metaphor illuminates how multiple strands must be woven together and automatized. The word recognition strands — phonological awareness, decoding, and sight recognition — must become so automatic that all cognitive resources are freed for language comprehension: background knowledge, vocabulary, language structures, verbal reasoning, and literacy knowledge. This curriculum explicitly addresses every strand.
Why Montessori + Orton Gillingham?
Both approaches share a sensory-motor philosophy: learning is deepened through touch, movement, and multi-sensory engagement. Orton Gillingham (OG) pioneered multisensory phonics — Visual, Auditory, Kinesthetic, and Tactile (VAKT) pathways — specifically for the struggling reader, but research confirms these pathways accelerate all readers. Montessori materials — sandpaper letters, the moveable alphabet, metal insets, grammar boxes — provide exactly the tactile reinforcement OG prescribes, while adding a logical, self-correcting structure children can work with independently.
Together, they form a complete system: OG provides the sequential phonics scope and lesson structure; Montessori provides the manipulatives, the grammar symbols, the reading analysis materials, and a child-centered philosophy that respects the learner's pace and intrinsic motivation.
The Awakening — Foundations of Language & Literacy
Ages 3–4 · Pre-K / Early Casa dei BambiniDevelopmental Goals
Children at this stage are building the oral language base upon which all reading will rest. The brain's phonological processor — situated in left perisylvian cortex — is being shaped by rhyme, rhythm, and playful attention to the sounds of language, not yet its meaning. Simultaneously, the Montessori environment introduces symbolic representation through the sensorial materials, pre-writing through metal insets, and the tactile experience of letter shapes through sandpaper letters.
Science of Reading: Phonological Awareness
Phonological awareness is an oral-language skill — no print required. It exists on a continuum from large sound units to small.
- Word awareness: Clap each word in a spoken sentence. "The / cat / sat." (3 claps)
- Rhyme recognition: "Do cat and hat rhyme?" — Yes or No.
- Rhyme production: "Tell me a word that rhymes with dog." (log, bog, fog)
- Syllable segmentation: Clap syllables — but·ter·fly (3 claps).
- Syllable blending: "What word? /rain/ — /bow/." → Rainbow.
- Onset-rime: "What's the first sound in ship? /sh/. What's the rime? /ip/."
Montessori Materials: This Stage
The Sandpaper Letters (Lettres rugueuses)
Sandpaper letters are cards on which each letter is cut from fine sandpaper and mounted. The child traces the letter with two fingers (index and middle) in the direction of writing while the parent says the sound (not the name): the letter m is presented as /m/, not "em." This is the Montessori three-period lesson applied to letters:
Sandpaper Letter Three-Period Lesson
Preparation: Select 2–3 sandpaper letters. Always begin with high-contrast sounds: choose letters whose sounds are very distinct (e.g., s, m, a). Never introduce visually or phonetically similar letters together (b/d, p/q, m/n, f/v).
- Period 1 — Naming ("This is…"): Parent holds the card, says "This is /s/," guides child's fingers to trace, repeats sound. Child traces and says sound. Repeat 2–3 times per letter.
- Period 2 — Recognition ("Show me…"): Lay 2–3 cards on the table. "Can you show me /m/? Can you find /a/?" Child points or hands you the letter. If incorrect, return to Period 1 — no correction, simply re-present.
- Period 3 — Recall ("What is this?"): Parent holds a card and asks "What sound is this?" Child must retrieve the phoneme without prompting. Only advance when the child achieves Period 3 reliably.
Sequence for Introducing Sandpaper Letters
Introduce consonants before vowels; short vowels before long. The OG-aligned sequence begins with the most common, most useful, most distinct phonemes:
- Group 1: s a t i p n
- Group 2: c/k e h r m d
- Group 3: g o u l f b
- Group 4: j w z v y x
Do not begin with the alphabet in alphabetical order. That sequence is linguistically random and phonically inefficient.
Metal Insets (Pre-writing)
The ten metal insets — geometric frames and corresponding shapes in a graduated series of difficulty — develop pencil control, pressure regulation, and the curved and straight strokes from which all letters are made. Daily practice with metal insets for 10–15 minutes precedes formal letter writing. Children trace the frame, then fill the interior with parallel lines, progressing from straight lines to overlapping, curved, and spiral fills.
Oral Language & Read-Aloud (Ages 3–4)
Hart and Risley (1995) documented that by age 3, children of professional families have heard 30 million more words than children in poverty. Vocabulary breadth at age 5 is among the strongest predictors of reading comprehension at age 10 (Biemiller, 2011). Daily read-aloud with rich discussion is therefore not optional — it is the most important literacy activity at this stage.
Comprehension Beginnings: Oral Narrative
Even before reading, comprehension is built through oral narrative. Children who can retell a story with a beginning, middle, and end; who can identify the problem and solution; and who can explain a character's motivation are developing the cognitive architecture of literary understanding. Teach the following story elements through storytelling and puppet play:
- Characters — Who is in the story?
- Setting — Where and when?
- Problem / Event — What happened?
- Resolution — How was it solved?
- Theme — What did we learn?
The Decoder Emerges — Phonemic Awareness & Early Phonics
Ages 4–5 · Kindergarten / Casa dei BambiniPhonemic Awareness: The Critical Threshold
Phonemic awareness — the ability to hear, identify, and manipulate individual phonemes (the smallest sound units) within spoken words — is the single strongest predictor of reading acquisition (NICHD, 2000; NRP, 2000). English has approximately 44 phonemes represented by 26 letters and 70+ grapheme combinations. Children must first hear these phonemes before they can map them to print.
Phonemic Awareness Skill Hierarchy
| Skill | Example Task | Target Age |
|---|---|---|
| Phoneme Isolation | "What is the first sound in van?" /v/ | 4.5–5 |
| Phoneme Identity | "What sound is the same in fan, fin, fog?" /f/ | 4.5–5 |
| Phoneme Categorization | "Which word doesn't belong: bus, bun, rug?" rug | 5 |
| Phoneme Blending | /k/ /æ/ /t/ → cat | 4.5–5 |
| Phoneme Segmentation | "How many sounds in ship?" /ʃ/ /ɪ/ /p/ → 3 | 5–5.5 |
| Phoneme Deletion | "Say cat without /k/." → at | 5–6 |
| Phoneme Substitution | "Change /k/ in cat to /b/." → bat | 5.5–6 |
| Phoneme Reversal | "Say the sounds in top backward." → pot | 6–7 |
OG Phoneme Segmentation with Elkonin Boxes
Draw 3 squares in a row (Elkonin boxes). Say a CVC word: /cat/. Child pushes a token (penny, bead) into each box as they say each phoneme: /k/ — /æ/ — /t/. Then reverse: touch each box and blend. OG requires this be done aloud, with physical movement, to engage kinesthetic pathways.
Montessori variation: Use small colored counters from the arithmetic materials, or dedicated phoneme counters on a felt mat. The child writes the letter in a sand tray as each phoneme is isolated.
The Moveable Alphabet
The Montessori Moveable Alphabet consists of cut-out letters (traditionally red vowels, blue consonants) that children use to build words before they have the fine-motor capacity to write them. This is crucial: children can encode (spell) before they can write, and encoding is one of the most powerful phonics instructors.
Moveable Alphabet Phonics Building
- Parent says a CVC word (cat, sit, hop). Child segments into phonemes aloud: /k/ /æ/ /t/.
- Child selects each letter from the alphabet box and places it in sequence, left to right, saying the sound as it's placed.
- Child blends by running a finger under the word and reading it.
- Parent adds or substitutes one letter — "Now change the /k/ to /h/. What word?" Child adjusts the moveable alphabet. This is phoneme substitution in print — a powerful bridge between phonemic awareness and phonics.
Early Phonics: The OG Scope & Sequence Begins
Orton Gillingham phonics instruction is explicit, systematic, and cumulative. No pattern is introduced before the prerequisites are secure. Below is the Kindergarten phonics sequence:
- CVC words with short vowels in sequence: a, i, o, u, e (in order of frequency and distinctiveness)
- Final consonant clusters (blends): st, nd, nt, nk, lk, sk, mp, lt, lp, ft
- Initial consonant blends: bl, cl, fl, gl, pl, sl, br, cr, dr, fr, gr, pr, tr, sc, sk, sl, sm, sn, sp, st, sw, tw
- Consonant digraphs: sh, ch, th (voiced and voiceless), wh, ck, ng
- Glued (welded) sounds: all, am, an, ang, ing, ong, ung, ank, ink, onk, unk
Sight Words: The Science of Reading Perspective
The term "sight words" is often misunderstood. The Science of Reading does not advocate memorizing words as visual wholes. Instead, through a process Linnea Ehri calls orthographic mapping, words become "sight words" through repeated successful decoding experiences that bond the phonemes to the graphemes to the meaning in long-term memory. Even irregular words (the, said, was) have mostly regular components — teach the regular parts explicitly and note only the irregular portion.
The Code Cracker — Systematic Phonics & Fluency Launch
Ages 5–6 · Grade 1 / Montessori PrimaryOG Phonics: Grade 1 Scope
First grade is the pivotal year. Children who do not crack the alphabetic code by the end of first grade face sharply increasing odds of reading disability (Torgesen, 2000). The OG sequence for this stage introduces:
- Vowel teams (long vowel digraphs): ai/ay, ee/ea, oa/ow, ue/ui, ie/igh
- Magic/Silent E (CVCe): cake, bike, mole, cube, Pete — each vowel explicitly taught
- R-controlled vowels: ar, er, ir, or, ur (these are the "bossy R" patterns)
- Additional digraphs and trigraphs: tch, dge, ph, gh
- Variant vowel patterns: oo (book/moon), au/aw, oi/oy, ou/ow
- Suffixes: -s, -ed (three pronunciations: /d/, /t/, /ɪd/), -ing, -er, -est
The Full OG Lesson Protocol (Grade 1)
Duration: 45–60 minutes, daily. Every component is included in every lesson.
- Warm-up (5 min): Phoneme drill — auditory only. Parent says sounds, child gives back grapheme and keyword. "What says /ɔɪ/?" → "oi as in oil; oy as in boy."
- Visual drill (5 min): Flashcard drill — child sees grapheme, says sound and keyword, then a word using that pattern.
- New concept introduction (10–15 min): Introduce one new phonogram using VAKT: say it, see it, trace it (on sandpaper or in a sand tray), write it in the air, write it on paper. Use a discovery/guided approach: show 3 words containing the pattern, ask child what they notice.
- Word reading (10 min): Read a list of phonetically controlled words using the new and review patterns. Child must blend aloud.
- Decodable text reading (10 min): Read a short passage using only taught phonograms. The child should be able to decode at least 95% of words. If not, the text is too hard for current level.
- Dictation (10 min): Parent dictates 5–8 words and 2–3 sentences using taught patterns only. Child writes and reads back. This is encoding practice — critical for orthographic mapping.
- Notebook: Every pattern introduced is added to the student's personal phonics notebook with a keyword picture.
Montessori Language Materials: Grade 1
The Large Moveable Alphabet & Small Moveable Alphabet
The large moveable alphabet is for word and sentence building. The small moveable alphabet (cursive or print) is used for advanced word study. At this stage, children begin composing short sentences, then stories, using the moveable alphabet before writing them. This removes the cognitive load of handwriting from the composition process.
The Phonetic Object Box
A box filled with small objects whose names are decodable with taught patterns (a pin, a cup, a flag, a frog). Child removes each object, says its name, segments the phonemes, and builds it with the moveable alphabet. This grounds phonics in concrete, three-dimensional reality — a hallmark of Montessori epistemology.
Puzzle Words (Pink, Blue, Green Series)
Montessori reading series moves from fully phonetic (Pink: CVC words) → slightly more complex phonics (Blue: consonant blends, digraphs) → words requiring deeper phonics knowledge (Green: long vowels, digraphs). Pair this with OG decodable readers for systematic progression.
Fluency: The Bridge Between Decoding and Comprehension
Fluency is reading with appropriate accuracy, rate, and prosody (expression). It is the bridge to comprehension because fluent reading frees working memory for meaning-making. Non-fluent readers spend so much cognitive effort on decoding that comprehension collapses. Research (Rasinski, 2010; LaBerge & Samuels, 1974) establishes that fluency develops primarily through wide reading of appropriate-level text and repeated reading with feedback.
Fluency Instruction Practices
- Repeated Reading: Child reads a short passage (50–100 words) until achieving accuracy ≥95% and a rate within grade norms (60–90 WCPM by end of Grade 1). Record the first and last read — audible progress is intrinsically motivating.
- Echo Reading: Parent reads a sentence with full prosody; child echoes it back, matching expression.
- Choral Reading: Parent and child read aloud simultaneously. Parent provides a fluent model.
- Reader's Theater: Children read from scripts in role, emphasizing expression over memorization. Highly motivating and research-validated.
Vocabulary Instruction: Tier 2 Words
Beck, McKeown, and Kucan (2013) distinguish three tiers of vocabulary. Tier 1 words (basic, conversational: dog, run, happy) are acquired without instruction. Tier 3 words (domain-specific: photosynthesis, polygon) are taught within content domains. Tier 2 words — sophisticated, cross-domain, high-utility words (reluctant, consequence, analyze, suggest, emerge) — are the most important for academic reading comprehension and are acquired almost entirely through intentional instruction and wide reading.
Comprehension: Beginning Strategies
Comprehension strategies are mental processes that good readers use to construct meaning. They must be made explicit — named, explained, modeled with think-alouds, practiced with support, then released to independence. Introduce these strategies in oral language and read-aloud first, then transfer to print:
- Making connections (text-to-self, text-to-text, text-to-world)
- Visualizing — "Make a movie in your mind"
- Questioning — Before, during, and after reading
- Inferencing — Reading between the lines ("The author didn't say it, but we can figure it out because…")
- Determining importance — "What is the most important idea?"
- Synthesizing — "How has my thinking changed?"
The Word Analyst — Morphology, Grammar & Expanding Comprehension
Ages 6–7 · Grade 2 / Montessori Primary–Lower ElementaryMorphological Awareness: The Next Power Skill
After phonics is secure, morphological awareness — understanding how meaningful parts of words (morphemes) work — becomes the dominant predictor of reading and vocabulary growth (Carlisle, 2010; Nagy et al., 2014). English has approximately 10,000 base words, but with morphological knowledge, a reader who knows port (carry) can decode and understand transport, import, export, portable, portal, reporter, deportation. This is how vocabulary grows exponentially.
OG Morpheme Work: Grade 2
- Common prefixes: un- (not), re- (again), pre- (before), dis- (not/opposite), mis- (wrongly), non- (not), over-, under-, sub-, inter-
- Common suffixes: -ful, -less, -ness, -ment, -tion/-sion, -ly, -er/-or (agent), -able/-ible, -ous, -al, -ic, -ive
- Greek and Latin roots (beginning): aud (hear), vis (see), port (carry), rupt (break), scrib/script (write), dict (say), spec (look), struct (build), tract (pull), mit/miss (send)
The Word Study Cabinet / Etymology Work
Create a "word family" wall or cabinet. Each drawer or card holds a root word and its derivatives. Children build word families with the moveable alphabet: port → transport, import, export, portable, portal. They copy the family into their Word Study Notebook with brief definitions. This is Montessori language exploration: discovering patterns, not receiving rules.
The Montessori Grammar Symbols
Montessori grammar work introduces the eight parts of speech through a system of geometric colored shapes. These symbols allow children to analyze and classify language visually and kinesthetically — manipulating grammar rather than merely memorizing definitions. This is one of the most powerful features of the Montessori language curriculum and aligns with SOR's emphasis on language structure knowledge.
The great, round earth
Action & being
Describes the noun
Modifies the verb
Stands for noun
Shows relationship
Links words/clauses
a, an, the
Grammar Symbol Analysis Lesson
Write a simple sentence on a strip: The happy dog ran quickly. Child places the corresponding symbol above each word:
- Identify each word's part of speech by asking the guiding questions (see below).
- Place the symbol: article △ (light) above The; adjective △ above happy; noun ● above dog; verb ● (red) above ran; adverb △ (orange) above quickly.
- Read the sentence aloud, touching each symbol. Remove one word — does the sentence still work? What changes?
- Compose a new sentence using the moveable alphabet that must include one of each symbol.
- Noun: What is the name of a person, place, thing, or idea?
- Verb: What is the action or state of being?
- Adjective: Which one? What kind? How many?
- Adverb: How? When? Where? To what degree?
- Pronoun: What stands in place of the noun?
- Preposition: What shows the relationship between the noun and another word?
- Conjunction: What connects the sentence elements?
Grammar Boxes & Sentence Analysis
The Montessori Grammar Box series is a sequence of materials from simple noun-article work to complex sentence analysis. The boxes contain word cards in appropriate grammatical categories. Children build sentences from the cards, color-coding each category, then analyze their own and others' writing using the grammar symbols. This is the embryo of rhetorical analysis — a skill that will mature fully in Stages 6 and 7.
Writing: The Composition Pathway
At Grade 2, children begin formal writing composition. The OG approach integrates encoding (spelling) with composition through a structured process:
- Oral rehearsal: Say the sentence (or idea) before writing it.
- Phonemic/phonics analysis: Segment each word. Apply known phonograms. Apply spelling rules (doubling rule, drop-e rule, change-y rule).
- Write and read back: After writing each sentence, read it aloud to check sense.
- Revise for meaning: Is the idea clear? Does it say what was intended?
The Six OG Spelling Rules (Introduce at Grade 2)
- The Doubling Rule (1-1-1): Double the final consonant before adding a vowel suffix when the word has one syllable, one short vowel, one final consonant. (run → running; hop → hopped)
- The Drop-E Rule: Drop the silent E before adding a vowel suffix. (hope → hoping; make → making)
- The Change-Y Rule: Change Y to I before any suffix except -ing. (cry → cried; happy → happiness)
- C or K Rule: Use C before a, o, u, or consonants; use K before e, i, y.
- CK Rule: Use CK immediately after a short vowel at the end of a one-syllable word. (duck, block, stick)
- TCH Rule: Use TCH immediately after a short vowel. (match, fetch, stitch, notch, hutch)
The Expanding Reader — Syllabication, Advanced Morphology & Comprehension Depth
Ages 7–9 · Grades 3–4 / Lower ElementaryThe Six Syllable Types
Understanding syllable types allows readers to decode multisyllabic words — the great leap of Grades 3–4. The OG approach categorizes all English syllables into six types. Mastery of these types enables readers to approach any unfamiliar word with a systematic strategy:
| Type | Description | Examples | Strategy |
|---|---|---|---|
| 1. Closed (CVC) | Ends in consonant; vowel is short | cat, him, bus | See consonant after vowel → short vowel |
| 2. Open (CV) | Ends in vowel; vowel is long | me, go, be, si-lent | Nothing after vowel → long vowel |
| 3. Vowel Team | Two vowels work together | rain, boat, feet | Two vowels → use vowel team rule |
| 4. Silent E (CVCe) | E at end makes first vowel long | cake, home, time | E at end → first vowel says its name |
| 5. R-Controlled | Vowel + R; R changes vowel sound | car, bird, burn, corn | R controls the vowel; use known pattern |
| 6. Consonant-le | Ends in consonant + le | ta-ble, nee-dle, sim-ple | Count back 3 from end, divide before the consonant |
Syllabication Strategy Lesson
DISSECT Strategy (OG-based): When encountering a long unknown word:
- D — Discover the context (read the whole sentence for meaning clues).
- I — Isolate the prefix (un-, re-, dis-, pre-). Cover it.
- S — Separate the suffix (-tion, -ing, -er, -ness). Cover it.
- S — Say the stem. Apply syllable type knowledge. Blend it.
- E — Examine the stem (does it look like a known word or root?)
- C — Check your pronunciation against the context. Does it make sense?
- T — Try the dictionary if still unknown.
Practice word: uncomfortable → prefix: un- | suffix: -able | stem: comfort → 2 syllables: com-fort | Blend: un-com-fort-able.
Advanced Morphology: Latin and Greek Roots
By Grade 4, 60% of the words in academic texts have recognizable Latin and Greek morphemes (Padak et al., 2008). Explicit morpheme instruction at this stage is among the highest-leverage activities a parent can do to accelerate vocabulary and reading comprehension simultaneously.
Core Latin Roots (Grades 3–4)
| Root | Meaning | Example Words |
|---|---|---|
| aud | hear | audio, auditory, audience, audible, inaudible |
| bene | good/well | benefit, benevolent, benefactor, benign |
| ced/cede/cess | go/yield | proceed, recede, succeed, concede, secede |
| dict | say/tell | dictate, predict, contradict, verdict, edict |
| duc/duct | lead | introduce, produce, conduct, educate, deduce |
| fac/fect/fic | make/do | factory, effect, efficient, artifact, defect |
| loc | place | locate, local, allocate, relocate, dislocate |
| mit/miss | send | transmit, submit, omit, mission, admit |
| port | carry | transport, import, export, portable, deportation |
| rupt | break | disrupt, erupt, interrupt, corrupt, bankrupt |
| scrib/script | write | scribble, describe, prescribe, manuscript, inscription |
| spec/spect/spic | look/see | spectator, inspect, perspective, conspicuous |
| struct | build | construct, instruct, destruction, infrastructure |
| tract | pull/draw | attract, extract, distract, contract, abstract |
| vis/vid | see | vision, visible, video, provide, evidence |
| voc/vok | call/voice | vocal, invoke, revoke, advocate, vocabulary |
Core Greek Roots (Grades 3–4)
| Root | Meaning | Example Words |
|---|---|---|
| astro | star | astronomy, astronaut, astrology, disaster |
| bio | life | biology, biography, biome, antibiotic |
| chron | time | chronological, synchronize, anachronism |
| geo | earth | geography, geology, geometry, geothermal |
| gram/graph | write | telegram, paragraph, photography, autograph |
| hydr | water | hydrogen, hydrate, hydraulic, dehydrate |
| log/logy | word/study | logic, biology, dialogue, monologue |
| micro | small | microscope, microbe, microphone, microwave |
| phon | sound | telephone, phonics, symphony, phoneme |
| photo | light | photograph, photosynthesis, photon |
| scope | see/examine | telescope, microscope, periscope, horoscope |
| tele | far | telephone, telescope, television, telepathy |
| therm | heat | thermometer, thermal, thermostat, hypothermia |
Knowledge-Building: The Hidden Comprehension Driver
E.D. Hirsch Jr.'s decades of research demonstrate that reading comprehension is not a generalizable skill — it is radically content-dependent. A child who knows little about the Civil War will comprehend a Civil War passage poorly regardless of their "strategy" skills. A child with rich background knowledge in science will outcompete a better "reader" on a science passage. This means reading comprehension is built through systematic acquisition of broad knowledge across history, science, geography, arts, and literature.
Comprehension: Text Structure
Academic reading comprehension requires knowledge of how texts are organized. There are five primary expository text structures, each with signal words the reader should learn to recognize:
| Structure | Purpose | Signal Words |
|---|---|---|
| Description | Describes characteristics | for example, such as, including, consists of |
| Sequence/Chronology | Events in time order | first, then, next, finally, after, before, during |
| Compare/Contrast | Similarities and differences | similarly, however, on the other hand, in contrast, whereas |
| Cause/Effect | Why things happen | because, therefore, as a result, consequently, leads to |
| Problem/Solution | A problem and its resolution | the problem is, one solution, as a result |
The Critical Reader — Literary Analysis, Rhetoric & the Argumentative Tradition
Ages 9–11 · Grade 5 / Upper Elementary"He who wants to persuade should put his trust not in the right argument, but in the right word."
— Joseph ConradThe Transition to Critical Reading
Stage 6 marks the transition Chall (1983) called "Reading to Learn" — text becomes a tool for acquiring knowledge, not merely a code to crack. But the Science of Reading goes further: critical reading requires understanding not only what a text says, but how it works, why it makes the choices it does, and whether its arguments are sound. This is where rhetoric enters the curriculum.
Introduction to Rhetoric: The Trivium Tradition
The classical Trivium — Grammar, Logic, Rhetoric — provides the framework for all language arts from this stage forward. Children who have been doing Montessori grammar work since Stage 4 are already practicing the first art. Stage 6 introduces the second: Logic. Stage 7 will integrate all three into Rhetoric.
- Grammar (how language is structured — mastered in Stages 2–5)
- Logic/Dialectic (how arguments are constructed and evaluated)
- Rhetoric (how persuasion is achieved effectively and ethically)
The Rhetorical Appeals: Aristotle's Framework
Aristotle identified three modes of persuasion that remain the foundational categories of rhetorical analysis. Every piece of persuasive writing — from a political speech to an advertisement to a scientific paper — employs some combination of these appeals:
The Three Rhetorical Appeals (Aristotelian Pisteis)
- Ethos (Credibility/Character): The speaker or writer establishes their authority, trustworthiness, and good character. "I have 20 years of experience in this field." "Scientists at Harvard concluded…" The audience's trust in the speaker. Questions to ask: Why should I believe this person? What credentials do they have? Are they honest?
- Pathos (Emotion/Audience): Appeals to the emotions, values, and imagination of the audience. Stories, vivid imagery, specific examples, shared values. Questions to ask: How does this make me feel? Is this emotional appeal legitimate, or is it manipulating me?
- Logos (Logic/Reason): Appeals to reason through evidence, data, statistics, logical arguments, and structured reasoning. Questions to ask: Is this evidence reliable? Does the conclusion follow from the premises? Are there logical fallacies?
Kairos (Timing/Context): A fourth appeal increasingly emphasized in classical education — the right argument at the right moment in the right context. Even a sound argument fails if the audience is not ready to receive it. Introduce this alongside Ethos, Pathos, and Logos.
Literary Analysis: The Story Grammar Extended
Literary analysis at this level moves beyond story retelling to textual interpretation. Using the Montessori method of discovery and the SOR emphasis on language structure, students analyze:
- Point of View & Perspective: First/third/omniscient; reliability of the narrator; how perspective shapes meaning
- Theme vs. Topic: Topic is a noun (courage); theme is a sentence (Courage requires acting despite fear)
- Figurative Language: Simile, metaphor, personification, hyperbole, alliteration, onomatopoeia — and their rhetorical effect
- Author's Craft: Why did the author choose this word, this structure, this detail? Every deliberate choice is a rhetorical choice
- Intertextuality: How does this text respond to, echo, or argue with other texts?
Grammar Symbols Applied to Figurative Language
Take a literary passage rich in figurative language. Have the child:
- Identify the literal meaning of each sentence using grammar analysis.
- Identify where the literal meaning breaks down (this is where figurative language is at work).
- Name the figure of speech (simile: comparison using "like" or "as"; metaphor: direct comparison; personification: human qualities given to non-human things).
- Analyze its rhetorical effect: "Why did the author use this comparison? What does it make the reader feel or understand? What would be lost if it were literal?"
- Write their own sentence using the same figure of speech to describe something they know.
Logical Fallacies: Recognizing Faulty Reasoning
A critical reader must be able to recognize when an argument's logic is flawed. The following fallacies are the most common and most important to recognize:
| Fallacy | Description | Example |
|---|---|---|
| Ad Hominem | Attacking the person, not the argument | "You can't trust her views on economics — she's a terrible cook." |
| Straw Man | Misrepresenting the opponent's argument | "She wants stricter food safety laws — she wants the government to control everything we eat." |
| False Dichotomy | Presenting only two options when more exist | "You're either with us or against us." |
| Slippery Slope | Claiming one step inevitably leads to extreme | "If we allow exceptions to this rule, everything will fall apart." |
| Appeal to Authority | Using authority as substitute for evidence | "This must be right — a famous actor endorses it." |
| Appeal to Nature | Assuming natural = good | "It's natural, so it must be safe." |
| Hasty Generalization | Drawing broad conclusions from few examples | "I met two people from that city who were rude, so everyone there must be rude." |
| Post Hoc | Assuming correlation implies causation | "I wore my lucky socks; we won. My socks caused the win." |
| Circular Reasoning | The conclusion is assumed in the premise | "This book is true because it says so." |
| Bandwagon (Ad Populum) | Appeal to what is popular or common | "Millions of people believe this, so it must be true." |
Introduction to the Argumentative Essay
The argumentative essay is the central academic writing genre of the upper grades. It is also the form that most directly develops a student's capacity for sustained logical reasoning in writing. The OG approach to writing instruction emphasizes structured, explicit teaching of each component before integration.
The Classical Five-Part Argument
- Exordium (Introduction): Captures the reader's attention (ethos and pathos); introduces the topic; ends with a clear, defensible thesis statement.
- Narratio (Background/Context): Provides context the audience needs; establishes common ground; defines key terms.
- Confirmatio (Proof): Presents the arguments in support of the thesis; each paragraph is structured with Claim → Evidence → Reasoning; strongest argument saved for last.
- Refutatio (Rebuttal): Anticipates and addresses counterarguments; demonstrates intellectual honesty; strengthens the original argument by showing its superiority to alternatives. This is the mark of mature argumentation.
- Peroratio (Conclusion): Summarizes; reinstates the thesis in new language; ends with a call to action or a powerful emotional or logical appeal that stays with the reader.
The Thesis Statement: The Spine of the Argument
A thesis is not a topic, not a fact, not a question. A thesis is a defensible claim that a reasonable person could disagree with — a claim that requires evidence and argument to establish.
| Not a Thesis | Why It Fails | Revised Thesis |
|---|---|---|
| Dogs are popular pets. | A fact; no one disagrees. | Dogs' social intelligence makes them uniquely suited to human companionship compared to any other pet. |
| Should schools have uniforms? | A question; takes no position. | School uniforms reduce socioeconomic stratification and improve academic focus, making them a worthwhile policy for public schools. |
| Climate change is bad. | Vague; what specifically? Bad for whom? | The economic costs of failing to address climate change will far exceed the costs of transitioning to renewable energy within this decade. |
The Dialectician — Formal Argument, Debate & Rhetorical Mastery
Ages 11–13 · Grade 6 / Adolescent Transition"The purpose of argument should not be victory, but progress."
— Karl PopperThe Art of Dialectic
Dialectic is the art of investigating truth through reasoned discussion and the conflict of opposing ideas. It is distinct from debate (which aims to win) and from conversation (which may aim at nothing in particular). Dialectic aims at truth through the disciplined examination of propositions — exposing contradictions, testing assumptions, and arriving at more refined understanding.
The Socratic method is the most famous form of dialectic: a series of questions designed to expose the logical implications of a proposition, ultimately revealing its limitations or confirming its truth. At this stage, students begin practicing structured Socratic dialogue as both interlocutors and questioners.
Formal Debate Structures
Debate provides the formal, structured application of rhetorical and logical skills. It is a sport of the mind. Introduce your student to the following formats:
Lincoln-Douglas Debate Format (Introductory)
Named for the famous 1858 senatorial debates, LD debate focuses on value propositions and ethical argumentation. It is a one-on-one format and is the most common high school debate format for value-based resolutions.
| Speaker/Role | Time | Purpose |
|---|---|---|
| Affirmative Constructive (AC) | 6 min | Present the affirmative case: define terms, establish value framework, present arguments |
| Negative Cross-Examination | 3 min | Question the AC; expose weaknesses; clarify definitions |
| Negative Constructive (NC) | 7 min | Rebut AC arguments; present negative case |
| Affirmative Cross-Examination | 3 min | Question the NC |
| Affirmative Rebuttal (1AR) | 4 min | Respond to NC; extend AC arguments |
| Negative Rebuttal (NR) | 6 min | Final negative response; crystallize key issues |
| Affirmative Rebuttal (2AR) | 3 min | Final affirmative response; voter issues |
Socratic Seminar Protocol
A Socratic Seminar is an inquiry-based discussion in which participants explore a complex question with no predetermined "right" answer. All claims must be supported by evidence from the text. The facilitator (teacher or parent) does not teach — they question.
- Pre-seminar: Read the text closely. Annotate: circle key claims, underline evidence, write questions in the margin. Prepare one opening question, one question to push the discussion deeper, and one closing question.
- Opening: Facilitator poses the essential question. All responses must begin with a reference to the text.
- Core discussion: Participants build on each other's ideas, disagree respectfully, ask clarifying questions, and test claims against the text. Stems: "I agree with X because the text says…" / "I want to challenge that claim — on page N, the author says…" / "I'm not sure I understand. Can you say more about…?"
- Closing: Facilitator asks: "How has your thinking changed? What new question are you sitting with?"
- Post-seminar writing: Write a reflection: What was the most compelling argument made? Did you change your view? Why or why not?
The Forms of Persuasion: An Extended Taxonomy
Beyond Aristotle's three appeals, students at this level should understand the full range of persuasive strategies — and be able to both deploy and detect them:
Classical Figures of Rhetoric (Rhetorical Devices)
| Device | Definition | Example |
|---|---|---|
| Anaphora | Repetition of a word/phrase at the start of successive clauses | "We shall fight on the beaches, we shall fight on the landing grounds, we shall fight in the fields…" (Churchill) |
| Antithesis | Contrasting ideas in parallel structure | "Ask not what your country can do for you — ask what you can do for your country." (JFK) |
| Chiasmus | Reversal of grammatical structure in successive clauses | "Never let a fool kiss you or a kiss fool you." |
| Rhetorical Question | A question asked for effect, not an answer | "Is this the kind of society we want to leave our children?" |
| Tricolon | Three parallel elements for rhythmic effect | "Life, liberty, and the pursuit of happiness." |
| Asyndeton | Omitting conjunctions for speed/power | "I came, I saw, I conquered." (Veni, vidi, vici) |
| Polysyndeton | Multiple conjunctions for emphasis/slowness | "And he ran and leaped and shouted and waved." |
| Parallelism | Similar grammatical forms for similar ideas | "To err is human, to forgive divine." |
| Allusion | Reference to shared cultural knowledge | "This has become our generation's D-Day." |
| Concession | Acknowledging the opposing view before refuting it | "While it is true that… it is also the case that…" |
The Dialectic Essay: Highest Form of Academic Writing
The dialectic essay moves beyond argument (one-sided advocacy) to genuine inquiry: the writer explores a genuinely difficult question, presents the strongest case for each position, identifies the tensions and unresolved conflicts, and arrives at a synthesis — a more nuanced position that accounts for what is true in each perspective.
Structure of the Dialectic Essay
- Statement of the Question: What is genuinely at stake? Why is this question difficult? What values or evidence are in tension?
- Thesis (Position A): Present the strongest case for the first position, including its best evidence and reasoning.
- Antithesis (Position B): Present the strongest case for the opposing position. This section must be as persuasive as the thesis — intellectual charity is demanded.
- Synthesis: What do both positions get right? Where does each fall short? What more nuanced position emerges? This is not a "split the difference" — it is a genuine advancement of understanding.
- Implications: What does this conclusion mean for how we act, think, or evaluate future evidence?
Research and Evidence Literacy
At this stage, students must learn to evaluate evidence, not merely collect it. This is information literacy in its deepest sense:
- Source evaluation: Authority (who wrote this?), Accuracy (is it verifiable?), Purpose (why was it written?), Currency (is it current?), Coverage (is it comprehensive?)
- Types of evidence and their strength: Anecdote (weakest) → Expert opinion → Survey data → Peer-reviewed study → Systematic review/meta-analysis (strongest)
- Understanding correlation vs. causation
- Statistical literacy: Sample size, representative samples, effect sizes, confidence intervals — at a conceptual level
- Primary vs. secondary vs. tertiary sources
- Bias recognition: Confirmation bias, selection bias, publication bias, motivated reasoning
The Research Essay: Full Process
The culminating writing task for Grade 6 is the full research essay. The OG approach requires the process to be broken into explicit, sequenced steps with feedback at each stage:
- Topic selection and question formation: Move from topic (climate change) to question (What is the most effective policy approach to reducing carbon emissions?) to thesis (Carbon pricing is more effective than regulatory mandates for achieving rapid emissions reductions)
- Research: Gather evidence from primary and secondary sources; evaluate each source; take organized notes using a graphic organizer or research matrix
- Outline: Classical 5-part structure, with each body paragraph outlined: Topic Sentence → Evidence → Analysis → Transition
- Rough draft: Write freely; do not self-edit during drafting
- Revision: Address argument structure, evidence sufficiency, organization, counterargument quality, and clarity of reasoning
- Editing: Grammar, punctuation, style, citation format (MLA or Chicago, consistently applied)
- Final draft and reflection: What did you learn? What would you argue differently? What questions remain?
Montessori Grammar Symbols: Complete Reference
The Montessori grammar symbols form a complete visual-kinesthetic system for grammatical analysis. Every symbol has a specific shape, color, and associated guiding story drawn from the natural world. The following is the complete reference for all eight parts of speech plus additional categories used in advanced work.
| Part of Speech | Symbol | Color | Guiding Story / Explanation | Questions to Identify |
|---|---|---|---|---|
| Noun | Large circle | Black | The noun is like the earth — the great, round, black sphere, the largest and most important object. Everything revolves around the noun. | Who? What? Name of a person, place, thing, or idea? |
| Article | Small triangle | Light blue (sky) | The article is tiny, like a small moon circling a planet. It always accompanies the noun and points to it. | a, an, the — does it introduce a noun? |
| Adjective | Medium triangle | Dark blue (navy) | The adjective, like a smaller sphere, orbits the noun and modifies it — giving it color, shape, size, and texture. | Which one? What kind? How many? |
| Verb | Large circle | Red (movement, fire) | The verb is the sun — the source of energy, action, life. It is the most necessary word in a sentence; without it, the sentence has no life. | What is the action or state of being? What is happening? |
| Adverb | Small circle | Orange (warm, near the sun) | The adverb is a smaller sphere near the sun (verb) — it modifies the verb, making it brighter or dimmer, faster or slower. | How? When? Where? Why? To what degree? |
| Pronoun | Large circle | Purple (substitute, royalty) | The pronoun stands in place of the noun, as a regent stands in for a king. It borrows the noun's role. | Does it replace a noun? (I, you, he, she, it, we, they, who, which, that) |
| Preposition | Crescent/arc or half-circle | Green | The preposition is like a bridge — it connects the noun to other parts of the sentence, showing spatial, temporal, or logical relationships. | Where is the relationship? (in, on, at, by, for, with, about, under, through…) |
| Conjunction | Two linked arcs or bars | Pink/Salmon | The conjunction links — it holds the sentence together like a chain, connecting words, phrases, or clauses. | Does it join? (and, but, or, nor, for, yet, so; because, although, since…) |
| Interjection | Exclamation shape | Gold | The interjection is a sudden burst of feeling — independent of the sentence structure. It expresses pure emotion. | Is it an exclamation? (Oh! Wow! Alas! Bravo!) |
Advanced Grammar Materials (Upper Elementary)
- The Noun Family Box: All noun-related words — noun, article, adjective, pronoun — grouped and analyzed together
- The Verb Family Box: Verb, adverb, and associated modifications
- The Sentence Analysis Charts: Large charts for diagramming sentence relationships, including subject, predicate, direct and indirect objects, clauses
- The Preposition Box: Object cards to physically demonstrate prepositional relationships (the ball is in the box / under the box / next to the box)
Orton Gillingham: Complete Phonogram Sequence
The following is the complete, sequenced OG phonogram and spelling pattern scope from basic CVC through advanced multi-syllabic patterns. Each phonogram is introduced after all prerequisites are secure. Never skip a level; always confirm mastery (95%+ accuracy in both decoding and encoding) before advancing.
Level 1: Basic Code (Pre-K through Mid-Grade 1)
- Single consonants: all 21 consonants (individual phoneme-grapheme correspondences)
- Short vowels: /æ/ a, /ɪ/ i, /ɒ/ o, /ʌ/ u, /ɛ/ e
- CVC words (blending and segmenting)
- Consonant digraphs: sh, ch, th (voiced /ð/; voiceless /θ/), wh, ck, ng
- Consonant blends: all initial and final positions
- Trigraphs: tch, dge
- Glued/welded sounds: all, am, an; -ang, -ing, -ong, -ung; -ank, -ink, -onk, -unk
- FLOSS rule: ff, ll, ss after short vowels in one-syllable words
Level 2: Long Vowel Patterns (Mid-Grade 1 through Grade 2)
- Silent E (CVCe): a_e, i_e, o_e, u_e, e_e
- Vowel teams — long sounds: ai/ay, ee/ea, oa/ow, ue/ui/ew, ie/igh
- R-controlled vowels: ar, er, ir, or, ur
- Variant vowel teams: oo (short: book; long: moon), au/aw, oi/oy, ou/ow (two sounds each)
- Schwa: unstressed vowel → /ə/ in polysyllabic words
- Spelling rules: 1-1-1 doubling, drop-e, change-y, c/k, ck, tch
- Inflectional suffixes: -s, -es, -ed (3 pronunciations), -ing, -er, -est
Level 3: Syllable Types and Morphology (Grade 2 through Grade 3)
- All six syllable types (see Stage 5 table)
- Syllable division strategies: VC/CV, V/CV, VC/V, VCle
- Compound words
- Common prefixes: un-, re-, pre-, dis-, mis-, non-, over-, under-
- Common suffixes: -ful, -less, -ness, -ment, -tion/-sion, -ly, -er/-or, -able/-ible
- Additional vowel patterns: eigh, ei, ie (varying sounds), ue, ew, ui
- Silent letters: kn, wr, mb, gn, gh
- Soft c (before e, i, y → /s/) and soft g (before e, i, y → /dʒ/)
Level 4: Advanced Phonics and Morphology (Grade 3 through Grade 5)
- Latin roots (see Stage 5 table)
- Greek combining forms (see Stage 5 table)
- Advanced prefixes: inter-, intra-, trans-, super-, anti-, circum-, contra-, co-, com-, con-, de-, ex-, per-, pro-, sub-
- Advanced suffixes: -ance/-ence, -ant/-ent, -ary/-ery/-ory, -ify/-fy, -ize/-ise, -ous/-eous/-ious, -tion/-sion/-cion, -ive/-ative/-itive
- Assimilated (chameleon) prefixes: in- → il-, im-, ir-; ad- → ac-, af-, ag-, al-
- Advanced syllabication in polysyllabic words of 4+ syllables
Level 5: Etymology and Advanced Word Study (Grade 5 through Grade 6)
- Systematic etymology study using dictionaries (etymonline.com, OED)
- French loanwords and their phonics patterns (ch → /ʃ/: chalet; et silent t: ballet)
- Specialized content vocabulary by domain (scientific, legal, literary, mathematical)
- Word consciousness and appreciation of language
Rhetoric, Argument & Dialectic: Scope & Sequence
| Grade | Oral Language & Discussion | Reading / Listening | Writing | Logic & Rhetoric |
|---|---|---|---|---|
| Pre-K/K | Retelling stories; asking questions; dialogic reading | Story elements; main idea; literal comprehension | Oral composition; labeling; simple sentences | Cause and effect; opinion vs. fact (introduced as "I think…" vs. "The book says…") |
| Grade 1 | Partner discussion; turn and talk; sentence starters | Character motivation; sequence; compare/contrast | Opinion writing: "I think… because…" | Fact vs. opinion; author's purpose; reason + evidence |
| Grade 2 | Small-group discussion; accountable talk stems | Text structure; inferences; point of view | Structured opinion paragraph; persuasive letter | Supporting a claim with evidence; recognizing opinion language |
| Grade 3 | Whole-class discussion norms; discourse moves | Author's purpose; bias; distinguishing fact from interpretation | 5-paragraph opinion essay; thesis + 3 reasons | Introduction to logical fallacies (straw man, false dichotomy); evaluating evidence |
| Grade 4 | Formal discussion protocol; building on others' ideas | Rhetorical analysis: how does the author persuade? | Argumentative essay with counterargument | Ethos, pathos, logos introduced; 5 common fallacies mastered |
| Grade 5 | Socratic seminar (introduction); debate preparation | Full rhetorical analysis of speeches, essays, ads | Classical 5-part argumentative essay; research essay (basic) | All major fallacies; rhetorical devices; reading persuasion critically |
| Grade 6 | Socratic seminar (student-led); formal debate (LD format) | Dialectical reading: synthesizing opposing texts | Dialectic essay; full research essay; debate cases | Formal logic (deductive/inductive); steel-manning; synthesis; full rhetorical analysis |
Recommended Materials & Resources
Montessori Materials
- Sandpaper Letters (lowercase, print): Nienhuis, Bruins Education, or Albanesi Educational — purchase the full set of 26. Also available in DIY format using fine-grit sandpaper, wooden boards, and natural finish.
- Large Moveable Alphabet: Red vowels, blue consonants — full lowercase set with at least 2 of each letter. Multiple suppliers; Montessori Outlet offers affordable versions.
- Small Moveable Alphabet: For advanced word building; same color system, smaller scale.
- Metal Insets: 10-inset set with colored pencils — Nienhuis or ETC Montessori.
- Grammar Symbols Set: Nienhuis or hand-cut from colored craft foam (excellent DIY option).
- Grammar Box Series: Boxes 1–7 for complete parts-of-speech work.
- Phonetic Object Boxes: Pink, blue, and green series with miniature objects.
- Three-Part Cards (nomenclature cards): For vocabulary in all content areas.
Orton Gillingham Resources
- Barton Reading & Spelling System: Home-tutor-friendly OG-based program; complete scope and sequence; includes multisensory materials. Highly recommended for structured home use.
- All About Reading / All About Spelling: OG-based; explicit, sequential; includes letter tiles and phonogram cards. Excellent for Stages 1–4.
- Spire Reading Program: Clinical-grade OG; useful for students with dyslexia.
- Really Great Reading: Decoding for older struggling readers.
- OG Flashcard System: Orton Gillingham phonogram cards with keywords — available from IMSE (Institute for Multi-Sensory Education) or make your own.
- Decodable Book Sets: Bob Books (earliest), UFLI decodable readers (free PDF download from University of Florida), Flyleaf Publishing, Sunshine Decodable Books.
Science of Reading: Foundational Texts for Parents
- Adams, M.J. (1990). Beginning to Read: Thinking and Learning about Print. MIT Press.
- Beck, I.L., McKeown, M.G., & Kucan, L. (2013). Bringing Words to Life: Robust Vocabulary Instruction. Guilford Press.
- Dehaene, S. (2009). Reading in the Brain. Viking.
- Kilpatrick, D.A. (2015). Essentials of Assessing, Preventing, and Overcoming Reading Difficulties. Wiley.
- Moats, L.C. (2020). Speech to Print: Language Essentials for Teachers. Brookes Publishing.
- Rasinski, T. (2010). The Fluent Reader. Scholastic.
- Seidenberg, M. (2017). Language at the Speed of Sight. Basic Books.
- Snowling, M.J., & Hulme, C. (Eds.) (2005). The Science of Reading: A Handbook. Blackwell.
Rhetoric & Classical Reasoning Resources
- Aristotle. Rhetoric. (Any good translation; W. Rhys Roberts recommended)
- Corbett, E.P.J., & Connors, R.J. (1999). Classical Rhetoric for the Modern Student. Oxford University Press.
- Heinrichs, J. (2007). Thank You for Arguing. Three Rivers Press. (Excellent, accessible introduction for middle schoolers and parents)
- The Lost Tools of Writing (Circe Institute) — classical composition curriculum
- IEW (Institute for Excellence in Writing) — structured writing program compatible with OG sequence
- The Well-Trained Mind by Susan Wise Bauer — classical education scope and sequence
Research References
Adams, M.J. (1990). Beginning to read: Thinking and learning about print. MIT Press.
Beck, I.L., McKeown, M.G., & Kucan, L. (2013). Bringing words to life: Robust vocabulary instruction (2nd ed.). Guilford Press.
Biemiller, A. (2011). Vocabulary: What words should we teach? Better: Evidence-based Education, 3(1), 10–11.
Carlisle, J.F. (2010). Effects of instruction in morphological awareness on literacy achievement: An integrative review. Reading Research Quarterly, 45(4), 464–487.
Chall, J.S. (1983). Stages of reading development. McGraw-Hill.
Dehaene, S. (2009). Reading in the brain: The new science of how we read. Viking.
Ehri, L.C. (2005). Learning to read words: Theory, findings, and issues. Scientific Studies of Reading, 9(2), 167–188.
Foorman, B., Beyler, N., Borradaile, K., Coyne, M., Denton, C.A., Dimino, J., Furgeson, J., Hayes, L., Henke, J., Justice, L., Keating, B., Lewis, W., Sattar, S., Streke, A., Wagner, R., & Wissel, S. (2016). Foundational skills to support reading for understanding in kindergarten through 3rd grade (NCEE 2016-4008). National Center for Education Evaluation and Regional Assistance, IES.
Gough, P.B., & Tunmer, W.E. (1986). Decoding, reading, and reading disability. Remedial and Special Education, 7(1), 6–10.
Hart, B., & Risley, T.R. (1995). Meaningful differences in the everyday experiences of young American children. Brookes Publishing.
Hirsch, E.D., Jr. (2006). The knowledge deficit: Closing the shocking education gap for American children. Houghton Mifflin.
Kilpatrick, D.A. (2015). Essentials of assessing, preventing, and overcoming reading difficulties. Wiley.
LaBerge, D., & Samuels, S.J. (1974). Toward a theory of automatic information processing in reading. Cognitive Psychology, 6(2), 293–323.
Lonigan, C.J., & Shanahan, T. (2010). Developing early literacy: A summary of the National Early Literacy Panel report. Educational Researcher, 39(4), 340–346.
Moats, L.C. (2020). Speech to print: Language essentials for teachers (3rd ed.). Brookes Publishing.
Montessori, M. (1912). The Montessori method. Frederick A. Stokes Company.
Nagy, W., Berninger, V.W., & Abbott, R.D. (2006). Contributions of morphology beyond phonology to literacy outcomes of upper elementary and middle-school students. Journal of Educational Psychology, 98(1), 134–147.
National Institute of Child Health and Human Development. (2000). Report of the National Reading Panel: Teaching children to read. NIH Publication No. 00-4769.
Orton, S.T. (1937). Reading, writing and speech problems in children. Norton.
Padak, N., Newton, E., Rasinski, T., & Newton, R.M. (2008). Getting to the root of word study: Teaching Latin and Greek word roots in elementary and middle grades. In A.E. Farstrup & S.J. Samuels (Eds.), What research has to say about vocabulary instruction (pp. 6–31). IRA.
Rasinski, T.V. (2010). The fluent reader: Oral and silent reading strategies for building fluency, word recognition and comprehension (2nd ed.). Scholastic.
Scarborough, H.S. (2001). Connecting early language and literacy to later reading (dis)abilities: Evidence, theory, and practice. In S.B. Neuman & D.K. Dickinson (Eds.), Handbook for research in early literacy (pp. 97–110). Guilford Press.
Seidenberg, M. (2017). Language at the speed of sight: How we read, why so many can't, and what can be done about it. Basic Books.
Snow, C.E., Burns, M.S., & Griffin, P. (Eds.). (1998). Preventing reading difficulties in young children. National Academy Press.
Torgesen, J.K. (2000). Individual differences in response to early interventions in reading: The lingering problem of treatment resisters. Learning Disabilities Research & Practice, 15(1), 55–64.
Whitehurst, G.J., Arnold, D.S., Epstein, J.N., Angell, A.L., Smith, M., & Fischel, J.E. (1994). A picture book reading intervention in day care and home for children from low-income families. Developmental Psychology, 30(5), 679–689.
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[PDF]Styles and Strategies for Helping Struggling Learners Overcome ...
Learning Styles, RTI, and the Struggling Student: A Thoughtful Approach to ... Helping Mastery Students Overcome Common Learning Difficulties ... The skills necessary for success hold whether the skill is fairly straightforward (e.g., studying for a ... reduce the thinking, reading, writing, or problem solving in their work; it is ...
[PDF]Helping Readers Achieve and Succeed -- March 2006 (PDF)
The No Child Left Behind Act is helping schools improve reading instruction and ... But some middle and high school students still struggle with reading
Reading Sage: Reading Boot Camp: "The Daily Schedule"
RBC has no magical remedy, just uses consistent teaching practices, significant time on task~reading with student accountability, coupled with high-interest reading, student motivation and effort. Students who participated in ...
Music Brain Breaks: MOTIVATIONAL MUSIC AND LYRICS
MUSIC AND LYRICS FOR STUDENTS. Music Brain Breaks: MOTIVATIONAL MUSIC AND LYRICS FOR ENGLISH STUDENTS. BUILDING READING FLUENCY AND COMPREHENSION WITH LYRICS.
My RBC Reading Goals! College Ready! Name. Grade. Text Measures 75th percentile ... for wanting to improve are: RBC Reading Progress Charts. Name____________________________ Grade _________School Year ...
Reading Sage: READING VOCABULARY GAMES .. ACADEMIC READING VOCABULARY SPARKLE PRIMARY RBC GAME Cards 3rd. Vocabulary Reading Game Cards
Reading Sage: Daily 5 Word Work | Word Work Test Prep ...
This new set of Word Work (RBC ELA Reading) games is a work in progress, designed to Help a special group of Arizona thirds graders in Mrs. D's class! Move on when READING?! You will be moving on!!!! Common Core ...
Reading Sage: Helping Students with Dyslexia | Dyslexic ...
Read over the RBC pages, and if you have any questions I will be happy to help. More on what you need with links and resources on the Reading Boot Camp pages. My class sings daily to teach reading, especially to LD, ELL ...
Reading Sage: Teaching Poetry with Mentor Poems
Teaching Poetry with Mentor Poems. Teaching Poetry Using Mentor Poems and Narrative Poems! RBC. Mentor poems or anchor poems are poetic models that students and teachers use during a poetry writing lesson. Mentor ...
Reading Sage: Student Success Skills
Student Success Skills. My RBC Student Success Skills Checklist! College Ready! My Active Learning Skills! I put school first! I take advantage of learning opportunities. I ask questions with an open mind. I set high goals and ...
Reading Sage: Why is Reading Boot Camp 20 Days?
RBC is great at changing student's habits and futures! Creating exemplary work ethic; Thriving academically; Participating actively and engaged in the learning; Attaining challenging goals with precise effort and practice .
Reading Sage: Vocabulary Games
If you are on a Blue Alien and answer correctly you stay put until your next turn. The game is a simple race to the top using the RBC Vocabulary Flash Cards, and is popular with children. Complete Vocabulary Game Card Set.
Reading Sage: Kindergarten Reading Boot Camp
.. strong visual cue of each student's progress. Morning Music and Movement Students learn to sing 10-20 songs during RBC. We usually start with fun age appropriate songs with great lyrics. Feist Sesame Street1234 Lyrics ...
Reading Sage: Academic Vocabulary Games
CLOSE READING PASSAGES SOCRATIC SEMINAR READING PASSAGES K-12
Volume I: Angel, Animal, Aristocracy, Art, Astronomy, Beauty, Being, Cause, Chance, Change, Citizen, Constitution, Courage, Custom and Convention, Definition, Democracy, Desire, Dialectic, Duty, Education, Element, Emotion, Eternity, Evolution, Experience, Family, Fate, Form, God, Good and Evil, Government, Habit, Happiness, History, Honor, Hypothesis, Idea, Immortality, Induction, Infinity, Judgment, Justice, Knowledge, Labor, Language, Law, Liberty, Life and Death, Logic, and Love.
Volume II: Man, Mathematics, Matter, Mechanics, Medicine, Memory and Imagination, Metaphysics, Mind, Monarchy, Nature, Necessity and Contingency, Oligarchy, One and Many, Opinion, Opposition,[13] Philosophy, Physics, Pleasure and Pain, Poetry, Principle, Progress, Prophecy, Prudence, Punishment, Quality, Quantity, Reasoning, Relation,[14] Religion, Revolution, Rhetoric, Same and Other, Science, Sense, Sign and Symbol, Sin, Slavery, Soul, Space, State, Temperance, Theology, Time, Truth, Tyranny and Despotism, Universal and Particular, Virtue and Vice, War and Peace, Wealth, Will, Wisdom, and World.
How can a Dyslexic Reading Teacher HELP 95% of all at-risk students pass the EOG Reading Test? 10 Consecutive Years!
Socratic Seminar Questions?
The Logicians Refuted
- 13-year-old Dutch girl, Laura Dekker sails Around the World
- Are Dogs Really Man’s Best Friend?
- Can you Win Arguments with Your Parents with Facts?
- Captain James Cook Mini Biography
- Claude Monet French Impressionist Painter
- College Knowledge: What do you need to know to succeed in college?
- Deforestation: Facts, Causes & Effects
- Eating Insects Is Common Around the World
- Extraordinary Astronomical Observatories of the World
- Getting Organized with Checklist
- How can we save the Honey Bee?
- How do Vaccines work?
- How to Start Your Own Business
- Is Clutter and Mess Really Best for Creativity?
- Living on the International Space Station
- Man’s Future Missions to Mars
- Mary Shelley an English novelist: Frankenstein
- Mary Stevenson Cassatt an American Painter
- Mini Benjamin Franklin Biography
- Mini Biography Astronaut Sally Ride
- Motivation Using Fear or Reason
- Norse explorer Leif Erikson Explores America 500 years before Columbus
- Pakistani schoolgirl Malala Yousafzai, winner of the Nobel Peace Prize
- RECYCLING FACTS & STATISTICS
- Renewable Resources, Wind Solar and Hydroelectric: FACTS & STATISTICS
- Sherlock Holmes: Man or mystery?
- The Baja 500 off-road race
- The Future of High Speed Trains
- The history of ice cream
- The History of the Taj Mahal
- The Seven Wonders of the Ancient World
- The Story of the Titans
- The Truth about Pirates
- What is your carbon footprint?
- The History of the Taj Mahal
- What will happen if a giant comet hits the Earth?
- Who was Socrates?
- Why aren’t there more female engineers?
- Why We Crave Junk Food: Sugar and Fat?
- Will California Survive the Great Drought?
- A History of the Hanseatic League
- A Short History of the Battle Axe
- A Short History of the Cross Bow
- A Short History of the Dagger
- Child Labour and your Electronics
- Child Slavery and your Chocolate Bar
- Crocodile & Alligator Differences
- Top 10-15 scientists who changed the world: Marie Curie
- Myth vs. Fact Ancient Aliens Created the Nazca Lines
- Myth vs. Fact the Abominable Snowman
- Myth vs. Fact the Roswell Aliens
- Myth vs. Fact the Voodoo Zombies
- Neil Alden Armstrong the first person to walk on the Moon
- The Sonoran Desert Flora and Fauna
- Timeline of female labor and education in the early history of the US
- What is Project Based Learning?
- Coming Soon PAIRED READING PASSAGES WITH EBSR!
Top 10 Future Professions:
Data Scientist/Engineer (Machine Learning)
Mechanical Engineer
Physician.
Physical Therapist.
Civil Engineer.
Information Security Analyst (Internet)
Computer App Developer.
Website Designer
Mechanical Engineer
Database Administrator
Science Articles:
Coastal Estuarine Food Chain/Web
Tidepool Flora and Fauna
Kelp Forest Ecosystems
Coral Reef Systems: Great Barrier Reef
Renewable Energy Resources Wind Turbine
Renewable Energy Resources Solar Power
Arizona Sky Islands Ecosystems
Australia’s Uluru | Northern Territory
Natural Phenomena: Earthquakes
Natural Phenomena: Tsunamis
Critically Endangered Species: Vaquita
Critically Endangered Species: White Rhino
Wilderness Medicine: Outdoor First Aide Essentials
Medicinal plants
Physical Phenomena: Electricity
Physical Phenomena: Magnetism
Natural Phenomena: Precipitation and The Hydrologic cycle
Natural Phenomena: Weather and Lightning
Earth-friendly Diet
The Sugar Diet: Sugar Addiction
Inspirational People:
Anne Frank
Joan of Arc
Albert Einstein
Stephen Hawking
Nikola Tesla
Thomas Edison
World at War: Winston Churchill
World at War: Franklin Delano Roosevelt
Benjamin Franklin
Thomas Jefferson
- Fiction Close Reading Passages
Sample Cover of a Monthly Read and Respons workbook that I would like to develop.

- Reading Comprehension questions: One‐Part Hot Text, Multiple Choice, Open Response, Multi‐Select, Evidence‐Based Selected Response, Two‐Part Hot Text, Editing Task Questions, Technology Enhanced Constructed Response (TECR), Grid Select, Prose Constructed Response (PCR), and ELA-Applied Skills: ConstructedResponse, and Extended-Response.
- Weekly/Biweekly Word Study Games
- Weekly/Biweekly Socratic Seminars
- Weekly/Biweekly Latin and Greek Roots and Affixes HOT Sheets
- Weekly/Biweekly Reading Game Cards: Tier 2 and 3 Academic Reading Vocabulary
- Daily Reading Fluency Passages: Socratic Seminare STEM questions included
- Weekly/Biweekly Cornel Notes Word Analysis Journal Pages
- Weekly Fiction Literary Elements Hide and Seek Game
- Bimonthly Nonfiction Text Features Scavenger Hunt
- Daily Tier 2 and 3 ELA Reading Glossaries Word Match Game
- Weekly/Biweekly FUN, Silly, Foolish and Ingaging Reading Passages
- Daily Read and Response Reading Logs
- Bimonthly Standards-Based Reading Comprehension Assessments

syntopical
- Referring to a type of analysis in which different works are compared and contrasted.
2. According to legend, Chinese dragons were supposed to be made of all the world's spare parts. The Dragon in Chinese mythology was a creature of high mountains or underground caves, breathing flames and ready for combat.
3. The imperial throne was called the dragon throne. China was regarded as the land of the dragon and the Chinese people were viewed as the dragon's descendants. Depending on their mood, Chinese dragons could be either playful or frightening. Dragons can be seen in almost all Chinese cities. The dragons decorate ancient monuments and buildings and are sometimes depicted playing with a pearl or thunder-ball. The dragon rain God is often depicted with a pearl, to symbolize thunder.
5. The Chinese wrote of dragons in their ancient book, I Ching, associating the creatures with power, fertility, and well-being. This is because the Chinese considered a dragon and phoenix as symbolic of the blissful relations between husband and wife. In ancient China, dragons could be found in decorations for weddings or royalty along with dragons.
6. The dragon is a symbol of deep desire, of wisdom and of luck, and has often been used to ward off evil spirits. Therefore, the dragon serves as a symbol of harmony, the fundamental spirit of Chinese culture. Chinese dragons traditionally symbolize potent and auspicious powers, particularly control over water, rainfall, hurricanes, and floods.
7. The dragon was said to have acquired a wide range of supernatural powers. Taoists regarded the dragon as one of the most important deified forces of nature.
Grade 4 ELA - Literary Analysis Task - Item Set
Grade 4 ELA - Literary Analysis Task - Sample Student Responses
Grade 4 ELA - Narrative Writing Task - Item Set
Grade 4 ELA - Narrative Writing Task - Sample Student Responses
Grade 4 ELA - Research Simulation Task - Item Set
Grade 4 ELA - Research Simulation Task - Sample Student Responses
Grade 4 ELA - S/M Literary Text Set - Item Set
Grade 4 ELA -M/L Informational Text Set - Item Set













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