Wednesday, October 28, 2026

What a dyslexic, dysgraphic reading teacher learned in 26 years

 The Dyslexic Boy Who Built a Thousand Bridges

What a dyslexic, dysgraphic reading teacher learned in 26 years of classrooms, and a lifetime before them

Sean Taylor shares his personal journey overcoming severe dyslexia and dysgraphia to become a reading teacher, demonstrating that learning difficulties stem from teaching methods rather than a student's intelligence. He emphasizes that struggling readers benefit from multimodal learning, including hands-on crafts, music, patterns, and strong oral communication skills. Drawing from his international educational experiences, particularly in Sweden, Taylor advocates for student-centered development plans that focus on individual progress rather than comparative rankings. His intensive Reading Boot Camp framework successfully bridges the gap between basic decoding skills and rich vocabulary knowledge. Ultimately, the text encourages parents and educators to prioritize emotional safety, joyful rigor, and personalized instruction to help every child unlock their potential.





















By Sean Taylor, M.Ed. | Reading Sage

Why I never stopped looking for another road

I did not become a reading teacher because reading came easily. I became one because it didn't.

I have dyslexia and dysgraphia. In elementary school I was in the low reading group, which in my school was called the Milkweeds. Other groups had prettier names. At one special education meeting I heard the adults say that my dyslexia was so severe I might never learn to read.

That sentence shaped the next fifty years of my life. It is why I've spent most of my life collecting roads, bridges, and side doors into literacy. Nobody handed me one road. When one failed, I had to find another, and then teach the others I'd found.

What follows is what I know now, for teachers, families, and anyone who has been told they can't. I'm writing it as a teacher, as a former low-group kid, and as someone who still gets the spelling wrong sometimes.


Lesson 1: The label describes the road, not the traveler

Two things were true of me as a child. I could not read or write the way school expected. I could also draw, paint, listen, argue, and see the big picture. Educators sometimes call that "twice exceptional." I experienced it as being invisible in one room and capable in another.

Our family dinner table was Socratic. My stepfather was a college debater, and conversation there was listening, logic, and rhetoric. I was strong in all three while failing at the page. Oral language was my first real road, and it is why I still say oracy comes before literacy. A child who can't decode yet may already be a thinker.

For parents and teachers: Find out what the child can do, and build the bridge from there. Treat their strengths as the foundation, not a consolation prize. Be careful with the labels defiant, difficult, lazy, strong-willed. We think we are labeling children, but the labels end up in their self-talk and in ours.

For people with dyslexia: The test showed how you read, not how you think.


Lesson 2: Pattern and performance opened the door

Two memories stand out.

"ING." My real entry into reading was noticing that words kept ending the same way. Once I saw the repeating pattern, the page stopped being noise. That is how many dyslexic readers learn: through a pattern they discover, rather than a rule recited at them.

The Sound of Music. Between fourth and fifth grade I joined a YMCA day camp production and was cast as Kurt von Trapp. I learned my lines, and in the process I learned to recognize words on sight. I wasn't doing a worksheet. I was singing, moving, and belonging to something.

That is multimodal learning in practice. Song, rhythm, rhyme, theater, riddles, silly stories, jokes, and board games give the brain several paths to the same word. A dyslexic reader needs a great deal of repetition to build those pathways, and repetition is much easier to sustain when it is fun.


Lesson 3: The wisdom of the hand

One summer my father learned that my school had never taught me cursive. He sat with me and taught it on yellow legal pads.

I made a discovery that changed how I teach. My hand could remember spelling when my brain couldn't. Muscle memory carried what visual memory dropped. I call this the wisdom of the hand.

It also connects to a Scandinavian tradition called Educational Sloyd, which treats handicraft as a way of thinking. That is why handicraft is one of the six pillars in Reading Boot Camp. Drawing, building, tracing, and making are doing real cognitive work, even though they don't look like reading. For many children with dysgraphia, working with the hands is the way in.


Lesson 4: What Sweden showed me

I began painting and illustrating in 1989. From 1998 to 2001 I traveled through 27 countries, doing pen-and-ink and watercolor work, and my art eventually helped pay for graduate studies in Uppsala, Sweden. I began teaching in 2000.

In Sweden I studied as a special education trainee. I saw a system built differently from the one I grew up in:

  • No grades in the early years. Later grades used a pass and high-pass scale, not a constant ranking of children against each other.
  • The IUP (individuell utvecklingsplan), an individual development plan. Every child had one. It covered academic, social-emotional, moral, and executive-function growth, and it always pointed forward. I recognized the Brigance Inventory of Basic Skills in it.
  • A visit to a Uppsala high school gave me the idea for the title The Joy Engine.

When I compared educational systems around the world, what stayed with me was the IUP idea: stop asking "Where does this child rank?" and ask "What does this child need next, and how will we know when they have it?"

For families: Ask for a plan that names the child's next step, not just the child's score. You have every right to ask.


Lesson 5: Building Reading Boot Camp

I began Reading Boot Camp in 2005, teaching in Amphitheater Public Schools in Tucson. It grew out of my first year in a Tucson district, where two 90-minute literacy blocks a day, using Success for All and cooperative learning structures, moved a class from the 30th to the 70th percentile in reading. The district later dropped the approach. I couldn't let go of what I'd seen.

Reading Boot Camp is a 20-day intensive with no screens. Its framework, S.E.A.R.C.H., has six pillars:

  1. Socratic inquiry
  2. Emotional intelligence
  3. Academic language and vocabulary
  4. Reading and reasoning
  5. Cooperative learning
  6. Handicraft

It rests on systematic Orton-Gillingham-based instruction, which I did not receive as a child. It adds massive reading volume, immediate feedback, spiraled review, cooperative teams, and affective engagement. By my own reporting, 95% of participating students gain a year or more of reading growth, and 90% of students, including English learners and students in special education, pass state reading tests in Title I schools.

I built it to answer Benjamin Bloom's "Two Sigma Problem": one-on-one tutoring produces about two standard deviations of growth, and no school can afford a tutor for every child. My question was how to get close to a tutor's results in a room of thirty.

The main insight: decoding and knowledge are two banks of a river. Children who struggle often have a strong "palace of knowledge" (vocabulary, ideas, argument) and weak decoding, or the reverse. Teach decoding alongside Tier 2 and Tier 3 academic vocabulary in read-alouds, and when the two connect, growth can look explosive. The growth isn't a mystery. The bridge between the two banks has finally been completed.

I've seen it happen. A student I'll call Yvette wanted to read Clifford to her mother. Her IEP goal had been 13 letters. When she read it aloud, her mother was in tears. That is the kind of result that kept me teaching.


Lesson 6: The Joy Engine

The book The Joy Engine: Fidelity to the Child in Education has seven chapters, built around seven questions:

  • Sanctuary: Is the child safe enough to try?
  • Structure: Does the room teach when the teacher is busy?
  • Dosage: Has the child had enough practice, not just exposure?
  • Bridge: What stands between this child and access to the material?
  • Multiplier: How can every person in the room multiply attention?
  • Joy Engine: Is the work meaningful, hard, and fun?
  • Mastery Contract: What does done really mean?

Three ideas matter most for families and teachers:

  • "Covered" is not "learned." Exposure isn't dosage. A child can sit through a lesson and learn nothing from it.
  • Joy is not entertainment. It's rigor that a child feels ownership of. My test: is the child working harder and thinking more because it's fun?
  • Safety comes first. A child who expects to fail won't take the risk learning requires.

Lesson 7: What I'd tell you if we were sitting at your kitchen table

If you're a parent:

  • You are allowed to ask for testing, a plan, and a meeting. Learn your rights under IEP and evaluation processes.
  • Watch for the child who hides behind jokes, avoidance, or "I don't care."
  • Read aloud to your child, well past the age they can read alone. Their vocabulary and knowledge keep growing even while decoding catches up.
  • Praise effort, strategy, and curiosity. Avoid labels, even flattering ones.

If you're a teacher:

  • Build decoding and the palace of knowledge at the same time.
  • Use multiple modalities: voice, movement, hands, song, art.
  • Be wary of any program that is sold as the one answer. Publishers rebrand and monetize variations of structured literacy, and the joy often gets stripped out in the process. Fidelity to the child comes before fidelity to the program.
  • Ask for the autonomy to teach the child in front of you. Respect for teachers is a precondition for good teaching.
  • Protect attention and memory. Screens, social media, and AI apps can wear down both, so build in practice that is slow, social, and hands-on.

If you have dyslexia or dysgraphia:

  • You aren't broken. You may have been taught on the wrong road.
  • Find your door: a pattern, a song, a craft, a story, a role in a play.
  • Your hands, ears, and eyes can carry what your memory drops. Use all of them.
  • Someone told me I might never read. I've spent my life reading, writing, and teaching others to do both. It took more roads than I expected, and each one was worth taking.

The takeaway

A struggling reader doesn't need one perfect road. They need a teacher, a parent, and eventually themselves, willing to keep building bridges until one holds.

I'm still building them.

Sean Taylor, M.Ed., is the founder of Reading Boot Camp and the Reading Sage blog, a licensed Arizona teacher, and author of The Joy Engine.



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